A Quote by Harry Dean Stanton
I realized early on that if I became an actor, I could play a writer and a sculptor and a painter and be all the things you just don't have time to be in your lifetime. I could get to learn about all of them.
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When I realized I could write lyrics and let someone that I knew listen to them, but not know that the song was about them - say it was a girl. I could write this song about how I feel about this girl, I could play it to them. I just loved it, because all of the words would speak to them. I could see them slowly falling in love with me.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I look at my early career, and you know, when I left drama school, for a young Asian actor, you could either play a doctor on 'Holby City,' or you could play a terrorist in 'Spooks' and get to wear a nice shiny suit.
Those who perceive in themselves... the artistic vocation as poet, writer, sculptor, painter, musician, and actor feel at the same time an obligation not to waste this talent but to develop it, in order to put it to service of their neighbour and the humanity as a whole.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
I was creating characters early. People didn't beat me up. I scared them. I hated authority. I could also get people to do things; I was quite the early director. I could make people laugh enough to get their defences down - and then brainwash them.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
And the rules were so clear, you could not deviate from that all. And I think it especially damaged my sisters because there was nothing they could do to get my father's attention, to win his approval. They could not play sports. They could not do these other things. They could not be tough. They could not be macho. And so I think they suffered just from sheer neglect if nothing else.
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
I didn't intend to become a short-story writer. I became one because I finished a couple of short stories and realized that's what I wanted to do and could do with children and with all the other things in my life.
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them, electronic, but like an orchestra. And I could play it all myself. That was exciting.
From early on, when synthesizers were first introduced into music, I liked the idea that you could get a big sound with them - electronic, but like an orchestra. And I could play it all myself. That was exciting.
One of the things you get to do as a writer is that you get to learn new stuff all the time, and I hope that I'm a better writer when I'm 70 than I was when I was 30. That's one of the great things about a literary career.
I was thinking maybe about being a lawyer. I realized I was interested in becoming a priest at one point. I was just interested in stuff where I could do something I really believed in. And then, I realized if I become an actor, I don't have to choose. I get to do everything. It's worked out so far. But what I really want to do is direct.
If parents could just get their children moving around in the most simple and fun ways - jumping in leaves, dancing to pop music, throwing socks in a laundry basket - they could be sowing the seeds of great habits that could last a lifetime. It is all about turning it into a game.
I was thinking about the NBA after my fourth year, but I also realized I could get my master's paid for and have another year on the court to raise my draft stock even higher. I felt if I could do those things, I could have my cake and eat it, too.
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