A Quote by Harry Dean Stanton
I have a good ear for languages.
Related Quotes
I had a quick ear and could pick up languages.
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I suppose because I have a good ear, I could pick out harmonies and learn by ear... I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I've always had an ear for languages and music so it's something I'm continually working on but it's fun.
The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages.
Plurality of languages: [...] It is crucial 1. that there are many languages and that they differ not only in vocabulary, but also in grammar, and so in mode of thought and 2. that all languages are learnable.
My parents have a brilliant ear for languages and mimicry and accents, which I think I've inherited - that I can listen to things and pick them up.
I am not very good with languages. So, in spite of working in films in 17 different languages, I only follow my passion to act without getting worked up about the language.
More good code has been written in languages denounced as "bad'' than in languages proclaimed "wonderful'' - much more.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
You just need the ear. But the ear is something, I guess, that you can't buy. And I can't play the piano fluently, but I feel like my ear is my strong point.
I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.
I have a condition called Menieres disease which is a problem with fluid retention in the inner ear. It has four symptoms: ringing in the ear, pressure in the ear, fluctuating hearing loss, and attacks of vertigo.
Writing in African languages became a topic of discussion in conferences, in schools, in classrooms; the issue is always being raised - so it's no longer "in the closet," as it were. It's part of the discussion going on about the future of African literature. The same questions are there in Native American languages, they're there in native Canadian languages, they're there is some marginalized European languages, like say, Irish. So what I thought was just an African problem or issue is actually a global phenomenon about relationships of power between languages and cultures.
An ear for music is very different from a taste for music. I have no ear whatever; I could not sing an air to save my life; but I have the intensest delight in music, and can detect good from bad.
An ear will never do you wrong, but I know writers who... most of the language they use is just extracted language from other languages they've read. I am a big-time reader, but I mix and match.
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