A Quote by Harry Dean Stanton

Sam Shepard is a brilliant writer. — © Harry Dean Stanton
Sam Shepard is a brilliant writer.
Sam Shepard is - I didn't tell this to Sammy, but if I had to point to one artist that made me want to do this for my life, it's Sam Shepard.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.
I was trained in the repertory theater. You would do Moliere one night and Sam Shepard the next.
I went to drama school at NYU for serious acting. So I was doing Chekov and Sam Shepard plays.
I don't have much to compare it to because I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research. What's great is that Sam's been here and he's been in rehearsals with us. Sometimes you don't even notice him come in; he's just sitting there in the theater seats watching you.
I'm dying to do a Sam Shepard play. 'Curse of the Starving Class,' 'Buried Child,' 'True West,' 'Cowboy Mouth,' 'Fool for Love' - I'll do any of them.
We grew up on Harold Pinter, Sam Shepard, Samuel Beckett. You're making something about men on the verge of a nervous breakdown, you're going to look to those guys.
I really didn't know much about theater. After I signed on, I started reading a lot of Sam Shepard plays just to brush up on my history and do some research.
At the time, my 6-year-old kept thinking my character's name was "Sam Alone," which is kind of brilliant. The funny came out of Sam's sad core: the alcoholic, the sex addict, the person who thinks he's God's gift.
When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like Madea, and Night, Mother, and Sam Shepard, and all that kind of stuff. Thats what I really wanted to do.
When I moved to New York out of college, that was my goal. To be a stage actress. And to do dramatic works. Like 'Madea', and 'Night, Mother', and 'Sam Shepard', and all that kind of stuff. That's what I really wanted to do.
In 1998, in Laramie, Wyoming, two guys beat up Matthew Shepard and left him on the side of the road hanging on the fence to die. They killed him, because Matthew Shepard was gay. They killed him, because Matthew Shepard was gay? They killed him.
The strategic objective of New Shepard is to practice, and a lot of the subcomponents of New Shepard actually get directly reused on the second stage of New Glenn.
David Simon is a brilliant writer, brilliant at being able to take what is ordinary and make it extraordinary.
It was also a new role for me as a writer, because I wanted to just be there to serve Sam. I recognized that this picture would be "a Sam Fuller movie," and I was just trying, in whatever way I could, to help him get what he wanted.
Knowing that I inspired SAM SMITH is one of the most powerful experiences I've had as an artist. I was Sam. I still am Sam.
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