A Quote by Harry Dunn

I dunno Lloyd, the French are assholes. — © Harry Dunn
I dunno Lloyd, the French are assholes.

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I wrote a tennis book about Chris Evert and her then-husband, John Lloyd. It was called 'Lloyd on Lloyd' and became a No 1 bestseller.
What can a mere French minister do when associated with Lloyd George, who thinks he is Napoleon, and Woodrow Wilson, who thinks he is Jesus Christ?
Many in the English-speaking world came to agree with the Germans that the Treaty of Versailles, and the reparations in particular, were unjust, and that Lloyd George had capitulated to the vengeful French.
Lloyd George? There is no Lloyd George. There is a marvellous brain; but if you were to shut him in a room and look through the keyhole there would be nobody there.
I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.
People have a tendency to cast me more as lawyers and doctors and just rich guys, rich assholes basically, a lot of rich assholes. That's what I'm normally seen as, you know.
When I arrived at Columbia, I gave up acting and became interested in all things French. French poetry, French history, French literature.
We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.
I'm doing a play at Trafalgar Studios with The Jamie Lloyd Company - 'The Maids' by Jean Genet with Uzo Aduba and Laura Charmichael, directed by Jamie Lloyd. It's one of my favourite plays by one of my favourite playwrights.
When I was a child, I grew up speaking French, I mean, in a French public school. So my first contact with literature was in French, and that's the reason why I write in French.
I went to Brown to be a French professor, and I didn't know what I was doing except that I loved French. When I got to Paris and I could speak French, I know how much it helped me to establish relationships with Karl Lagerfeld, with the late Yves St. Laurent. French, it just helps you if you're in fashion. The French people started style.
OSS 117 and maybe Un Balcon Sur La Mer directed by Nicole Garcia. It's a typical French movie with typical French themes with French actors, a French director.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I am a guest of the French language. My poems in French are born of my interaction with the French language, which is not the same as that of a French poet.
I dunno... I feel out of step. Musically. Just out of step, not even behind or ahead. Just sort of like... I dunno, sometimes I feel like I'm still... just not... in sync. I don't know how to explain it. I just am.
I always think about the simplest things in a relationship that have frustrated me. It always sort of comes down to communication. Even something as simple as probably the worst thing that could happen is, 'Where do you want to go to dinner?' 'I dunno. Where do you want to go to dinner?' 'I dunno.' That might be the worst thing in the world.
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