A Quote by Harry Elfont
I don't want to call the show [ "Mary and Jane" ] a satire because it is not, but there are satirical elements.
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We ["Mary and Jane"] did not want to be a weed show, like it is a bunch of people sitting around smoking.
I'm in love with mary jane. she's my main thing. she makes me feel alright. she makes my heart sing. and when I'm feeling low, she comes as no suprise. turns me on with her love, takes me to paradiiiiise do you love me mary jane, yeah now do you think you love me mary jane don't you play no game.
Satire is an art best practiced behind the back of the intended target. I think inviting politicians on a satirical show becomes a very big trap. Because one of two things happen: Either you have to kind of unsharpen your fangs because you can't be quite as cruel to people to their face as you are behind their backs... Or you don't defang, and those guests get the word and they stop coming.
I think a playful critique is good for all of us, and that's basically how I see satire functioning. But I'm not interested in a kind of contemptuous satirical vision; I try always, even when I'm knowingly being satirical, to also be humane, but I mean, let's face it: there's plenty in American life to make fun of, and we all participate in it.
I think satire suffered under Obama, but not because of Obama. People are more sensitive now than ever, and strong satirical voices are stifled because of that. I don't think a Clinton presidency would change that.
The people running Silicon Valley are not making the show because they want to do a satire of Silicon Valley. They are just comedy writers, and they want to make a funny show.
The show is a satire, which gives us freedom to do anything we want. Satire is the magic word that wipes away any culpability. The media is jealous of this freedom.
For my wife Mary Corliss and me, 'Colbert' has been destination viewing. Even in the early years, we never took the show's excellence for granted, agreeing that someday we'd look back on the double whammy of 'The Daily Show' and 'The Colbert Report' as the golden age of TV's singeing singing satire.
With 'Girlfriends,' even with 'The Game,' or even with 'Being Mary Jane,' I didn't get a chance to wrap up the story and, more specifically, show love.
We did want it ["Mary and Jane"] to feel a little different and have some surreal weird touches, which we try to do every episode. That is what we took advantage of.
I think at a certain point we a little bit forgot that it was a pot show. I think I said something to Harry [Elfont], around Episode 7 [of mary and Jane], I was like, "We have a pot show. Nobody is smoking any weed." There is literally a shot in the season finale where everybody lights up at the same time. I was like, "I feel like we are not honoring our concept." It just became a show. It became a show about these two girls doing this crazy thing and getting into all these adventures and it was really not about the weed.
Mary doesn't want to be treated as Mary J. Blige: she just wants to be Mary.
When I read the 'Dick and Jane' stories, I thought they were afraid they might forget each other's names because they always said each other's names - a lot. So if Jane didn't see the dog, Dick would say, 'Look Jane, look. There is the dog next to Sally, Jane. The dog is also next to mother, Jane. The dog is next to father, Jane.'
I woke up last night and thought: 'I must call somebody in my next novel Casablanca.' It's such a great name. I don't want to call anybody Fred or Jane or Susan, so when three people get into bed together, you don't know who they are.
If you don't want to call it a European army, don't call it a European army. You can call it 'Margaret', you can call it 'Mary-Anne', you can find any name, but it is a joint effort for peace-keeping missions - the first time you have a joint, not bilateral, effort at European level.
On 'Being Mary Jane,' I learned to embrace sex symbol.
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