A Quote by Harry Essex
Well, it seems to me a scientist has need for both vision and confidence.
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Well, I mean, I'm still a scientist, you know. I think once a scientist, always a scientist.
Through photography, both artist and scientist can find a common denominator in their search for the synthesis of modern vision in time, space and structure.
Real confidence has no bluster or bombast. It's not rooted in a desire to seem better than everyone else and it's not driven by a fear of appearing weak. Real confidence settles in when you have a clear vision of exactly what you need to do. Real confidence blooms as you wield the skills and power you have built through your hard work and discipline.
It seems from my unique vantage point as both scientist and editor of JSE that substantial evidence exists of "something going on".
When I feel like work and life are both going well, I feel like I can be fully present at both. I think the reminder to me is that both are super important, and I need to be able to feel like I can experience both in the way that makes me happiest. If I'm not happy in one or the other, it really affects the other side.
Sometimes artists are control freaks and it's certainly important to have a vision, but within that vision you need to allow freedom and personality- or you light as well hire robots.
The pace of change is so great, there is always something else going on. What that says to me is that you have to have strategic vision and peripheral vision. Strategic vision is the ability to look ahead and peripheral vision is the ability to look around, and both are important.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
As one scientist puts it, we can now assume that just as children need good nutrition and adequate sleep, they may very well need contact with nature.
The integral vision embodies an attempt to take the best of both worlds, ancient and modern. But that demands a critical stance willing to reject unflinchingly the worst of both as well.
For me, style is all about confidence. What you wear, both in terms of clothing and jewellery, should add to your confidence.
You've got to have a vision and an intention and that will guide what you do. I call it devotion. Ask yourself, "Is this not moving me toward where we need to be?" I believe that's helpful because a vision pulls you forward and it keeps you focused. A vision for the day, for the week, for the month and a lifelong vision - whatever works for you. And then you govern your activities and your behaviors accordingly.
We need a mutual fund industry with both vision and values; a vision of fiduciary duty and shareholder service, and values rooted in the proven principles of long-term investing and of trusteeship that demands integrity in serving our clients.
I don't know why people feel the need to do this to me, but my friend asked my dad, 'Aren't your proud of Jimmy now that he's a successful actor?' And my dad was like, 'No, not really. I wish he was a scientist.' I guess scientist is more noble in the Asian culture.
Well, method is, it seems to me, a natural growth out of a need, and from a need the modern artist has found new ways of expressing the world about him. I happen to find ways that are different from the usual techniques, which seems a little strange at the moment, but I don't think there's anything very different about it. I paint on the floor and this isn't unusual - the Orientals did that.
If I played badly as a kid, my dad would tell me, and my mum would say, 'You were brilliant today'. It's nice to have both: when I need a bit of confidence, I'll see her, and if I need to hear it straight, I'll see my dad.
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