A Quote by Harry Frankfurt
I used to teach at Yale, which was at one time a center of postmodernist literary theory. Derrida was there. Paul de Man was there.
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We have no acceptable theory of evolution at the present time. There is none; and I cannot accept the theory that I teach to my students each year. Let me explain. I teach the synthetic theory known as the neo-Darwinian one, for one reason only; not because it's good, we know that it is bad, but because there isn't any other. Whilst waiting to find something better you are taught something which is known to be inexact.
Writers who teach tend to prefer literary theory to literature and tenure to all else. Writers who do not teach prefer the contemplation of Careers to art of any kind.
I guess both Nabokov and Popper had, in different ways, immunized me against the fashion for French-influenced literary theory in the '70s, '80s, and '90s - "immunized" in the sense that they made me no longer susceptible to this epidemic cultural virus. I looked into Derrida and found that he rarely seemed to be interested in truth; he was more interested in making a splash.
In 1989, I had a fellowship to teach for Yale in China for two years. I came back from California to New Haven to spend the summer learning Chinese, but because of Tiananmen Square, Yale cancelled the program.
To cite my own alma mater, it's shocking to me that Yale University can teach what it teaches at the Yale School of Environmental Studies and utterly fail to mirror those values in any way in its investment practices.
Gore Vidal was a man of immense literary talent, some of which he used well, some of which he wasted.
I am someone who values truth - actual truth as opposed to "truthiness." I am also someone who has been trained in deconstruction in the literary theory department of Yale University, so I am someone who is tempted to believe that no absolute truth is possible.
I entered Yale in the fall of 1951, and about November of that year, Bill Buckley published 'God and Man at Yale.'
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
My favorite method of encryption is chunking revolutionary documents inside a mess of JPEG or MP3 code and emailing it off as an "image" or a "song." But besides functionality, code also possesses literary value. If we frame that code and read it through the lens of literary criticism, we will find that the past hundred years of modernist and postmodernist writing have demonstrated the artistic value of similar seemingly arbitrary arrangements of letters.
Music, for centuries and centuries, was used to teach everything. It was used to teach language, mathematics, history. The news was music. Everything traveled by song. It was used to teach ethics. It was used to create conscience, probably more than anything.
Solitude is used to teach us how to live with other people. Rage is used to show us the infinite value of peace. Boredom is used to underline the importance of adventure & spontaneity. Silence is used to teach us to use words responsibly. Tiredness is used so that we can understand the value of waking up. Illness is used to underline the blessing of good health. Fire is used to teach us about water. Earth is used so that we can understand the value of air. Death is used to show us the importance of life.
Yale men do not like to be told anything by people who didn't go to Yale. The closest I came to Yale was once I had one of their padlocks.
In a way, America's the shadow of everything I do, everywhere I go, everything I carry, no matter if I travel to the ends of the earth. And I live frequently on the spine of the continent, near the Great Divide. Then there's the side of it being the real energy center for a truly post-postmodernist poetry mind, which is also archaic, because we can still be close to the land.
When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory.
Jacques Derrida is a very important thinker and philosopher who has made serious contributions to both philosophy and literary criticism. Roland Barthes is the one I feel most affinity for, and Michel Foucault, well, his writing influenced my novel, 'Middlesex.'
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