A Quote by Harry Hamlin

If you do a great job in one thing, people look at you that way and it's hard to break out of that. — © Harry Hamlin
If you do a great job in one thing, people look at you that way and it's hard to break out of that.
I break people's faces. I break their arms. I break their legs. That's a part of the sport. That's my job. That's the job of the opponent who's trying to do the same thing to me.
The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.
I think great songs can come from anywhere and you constantly have to be able to look out for those. I think a lot of the times people will try too hard to write everything themselves and therefor miss out on great songs that way.
The most relaxing thing i do, hang halfway out a 3rd floor window, and look at rocks if i fall out. Well maybe i'll fall hard, something tough to break me, something sharp to rip into my insides and bleed out all that pain.
The great thing about 'Skins' is that it's not '90210.' We don't have to look stick-thin and ripped. Those shows send out the wrong messages by showing body-perfect people but not mentioning that they spend four hours a day in the gym to look that way.
I just look at what's the most fun thing I can do next. I'm not looking to prove anything, or to break out or to break away. I feel so lucky, honestly, that I'm still working.
I've been really lucky because when I go out to L.A. it's for a job, not to look for a job. That's the way I like L.A. most - when I already have a job.
You look on the Internet, and people are transforming themselves on a daily basis, and it's not a superficial thing, it's not a vain thing, and it's not an "I don't like the way I look" thing. It's people truly being creative. It's a way of making your mark and making a statement, and I love that. Beauty is making a statement in whichever way you choose to do so, and I think that's a beautiful thing.
The great thing about working out at a gym is that if you put in effort, you get very obvious results. The same should be true of college. A professor’s job is to teach students how to see their minds growing in the same way they can see their muscles grow when they look in a mirror.
When you're working as an actor, you don't think that when you get out of school, it's going to be so hard to get a job. Just to get a job. Any job. Whatsoever. You don't think that people are going to see you in a certain way.
If the idea is you're working at a job solely to pay the bills because you have ambitions to do something else, if you're not actively trying to do that other thing, you've gotta make sure you're doing that. Sometimes you've gotta take away your own safety net. But if you feel miserable in a day job, in any job, get out of that. Look for something else. Stay in that job until you have the other thing set up, and then go to that other thing. But sometimes you've just got to jump out with a parachute and trust that you're going to land someplace safe.
When I have finished a job, done all the promotion, and it's been received well. Then I can allow myself the luxury of a break, and chilling out with my family and friends, and taking a nice break knowing I've done a good job.
There's no way that I could do a 9 to 5 job. There's no way. I was not cut out for that. You come in and you work for three months on the one job. They say, 'Great,' you know, and you're on to the next one - and you never even got fired. It's wonderful.
Of course there are people out there who are helping others find their why. Some are doing a really great job and some are doing a not so great job. I love the fact there are people out there, and consultants out there doing that.
I will say this: The overriding feeling that I have is that I want to go up there and do my job well and then come back and tell a great story about a great mission and a great team so that people have something to look up to and look forward to.
Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.
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