A Quote by Harry Harrison

Most comic scriptwriters are very bad. The artists are good, but the writers are so bad. — © Harry Harrison
Most comic scriptwriters are very bad. The artists are good, but the writers are so bad.
When it comes to partisan politics, everyone is a hypocrite. And all they care about is whether it hurts or helps them ... Is it good or bad for the Democrats? Is it good or bad for the Republicans? Is it good or bad for Jews, or good or bad for blacks, or is it good or bad for women? Is it good or bad for men? Is it good or bad for gays? That's the way people think about issues today. There is very little discussion of enduring principles.
Most great writers suffer and have no idea how good they are. Most bad writers are very confident. Be willing to be a child and be the Lilliputian in the world of Gulliver, the bat girl in Yankee Stadium. That’s a more fruitful way to be.
A writer's life is so hazardous that anything he does is bad for him. Anything that happens to him is bad: failure's bad, success is bad; impoverishment is bad, money is very, very bad. Nothing good can happen... Except the act of writing.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.
For the most part, however, Lady in the Water comes across as a movie that's too bad to be good, and not bad enough to be so bad that it's good.
There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.
People, you'll find, aren't usually all good or bad. Sometimes they're just a little bit good and a whole lot bad. And sometimes they're mostly good with a dash of bad. And most of us, well, we fall in the middle somewhere.
I like them all-pointers, setters, retrievers, spaniels-what have you. I've had good ones and bad of several kinds. Most of the bad ones were my fault and most of the good ones would have been good under any circumstances.
If we're honest, most of us would accept that a bad boss is a little bit like a bad father or a bad husband ... you find that he tends to do more good than harm. He might be a bad boss but at least he's employing someone while he is in fact a boss.
I created MMG years ago. My desire was to create a space where the most talented artists in the world could be nurtured and supported. With that came a commitment. I vowed to support these artists through the good and the bad.
Bad criticism has followed things like comic books or TV, and they put down a medium. A medium cannot be inherently good or bad.
There are good writers and bad writers. It's hard to find writers who really speak to you, but the work is out there.
[When anything happens, we interpret it as good or bad, but...] We do not know what is really good or bad fortune. [Only the future can decide. For example, what appears to be bad today may in fact lead us to a greater good tomorrow and by the very act of thinking and planning in that positive way, we can help make that good future come true.]
Good writers define reality; bad ones merely restate it. A good writer turns fact into truth; a bad writer will, more often than not, accomplish the opposite.
Exclusives are bad for artists, bad for consumers, and bad for the whole industry.
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