A Quote by Harry Houdini

It is still an open question, however, as to what extent exposure really injures a performer. — © Harry Houdini
It is still an open question, however, as to what extent exposure really injures a performer.
The test of every religious, political, or educational system, is the man which it forms. If a system injures the intelligence it is bad. If it injures the character it is vicious. If it injures the conscience it is criminal.
An inevitable question asked of a performer who has made a modest success of his career is, 'How has success changed you?' It's a loaded question because it automatically assumes that there has been a change. And, in a sense, the assumption is a correct one. Basically, however, most people remain pretty much the same.
In the early days of picture-taking, the exposure shutter had to stay open for a long time, so you had to stay really still.
To the extent that I can still believe in Bohemia, which I think is very important to me in some way that I don't yet really understand, to the extent that I still believe in that, I have to believe that there are viable degrees of freedom inherent if not realized in interstitial areas.
If you ask a living teacher a question, he will probably answer you. If you are puzzled by what he says, you can save yourself the trouble of thinking by asking him what he means. If, however, you ask a book a question, you must answer it yourself. In this respect a book is like nature or the world. When you question it, it answers you only to the extent that you do the work of thinking an analysis yourself.
Hate is too great a burden to bear. It injures the hater more than it injures the hated.
Fright never injures anyone. What injures the spirit is having someone always on your back, beating you, telling you what to do and what not to do
I want to talk to him. I want to ask him about that girl and if he loved her and still misses her. Nothing, however, exits my mouth. How well do we really let ourselves know each other? There's a long quietness until I finally break it open. It reminds me of someone breaking bread and handing it out. In my case, I hand out a question to my friend.
All this machinery making modern music can still be open-hearted. Not so boldly charted, it's really just a question of your honesty.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I don't really do much on holiday with my skin, however I do apply face creams that I mix with aloe vera as that is helpful for dealing with sun exposure.
I refuse to buy from anybody anything however nice or beautiful if it interferes with my growth or injures those whom Nature has made my first care.
However in countries outside of Japan I think game music is still a potential growth market that has not yet developed to the extent that we are seeing in Japan.
One thing I'm not sure of - and it's a very open question - is whether the type of politics that I represent really has had its day or not. Now I obviously believe passionately it hasn't, that it's still the answer and not the problem, and, you know, the evidence points both ways.
All parenting turns on a crucial question: to what extent parents should accept their children for who they are, and to what extent they should help them become their best selves.
In morals, theosophy builds its teachings on the unity, seeing in each form the expression of a common life, and therefore the fact that what injures one injures all. To do evil i.e., to throw poison into the life-blood of humanity, is a crime against the unity.
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