A Quote by Harry Kewell

To be able to get a young player to perform a drill or execute a phase of play - that's satisfying. I get happy and think he's learned, and that's what I enjoy. — © Harry Kewell
To be able to get a young player to perform a drill or execute a phase of play - that's satisfying. I get happy and think he's learned, and that's what I enjoy.
When there's something we weren't prepared for on the football field, you have to be able to use your mind, be creative, communicate, get lined up and get ready to do the play, get ready to execute.
When I go into games as a forward, my job is really clear, and I just have to execute. But as a midfielder, you get to sort of enjoy the game more, and you get to feel the game and dictate the play.
What's wonderful about acting is that you get to play different roles. For instance, in 'Amelie,' I played a young mother. Some of the photoshoots, you're playing a role. I like to be able to look at a photo and say, 'Wow - that isn't even me.' I enjoy being able to project.
I want to be the number one player in the world, right? But at the end of the day you have to go through each individual step and be able to execute each individual step to be able to get to that goal.
When you think about a drill sergeant, a drill sergeant expects you to perform your best, and if you don't, they're going to stay on you until you do.
When I was younger, I was always willing to tell a joke and play out a scene. I would get sticks and pretend they were light sabers. I think it was just at a young age, I was so willing to jump up and perform a little play at the family picnic.
When I was a kid, I liked to enjoy the game. I play good when I enjoy the game. If I get too serious in the game, I won't play the way I'm supposed to play. That's the way I am, always. I like to be happy, and I have a lot of energy.
To an actor, what is most satisfying is that you perform your role as naturally and that people enjoy it, and more importantly, you enjoy it.
It's about the process. It's about getting better. 'Let's execute on this play, let's execute on this drive.' You do those things, and over the course of the season you'll get better as a team and you'll get to a point where hopefully you're playing at a high level to win the games that really become at another level.
I think the most important thing that I can offer young musicians is once you get up on the bandstand, understanding that you're now asking this prayer to come through you. When you think about music it's got to be that way. Just the thrill of being able to play another note, not to win anything or get a trophy.
I would pass onto any young player to enjoy your football, play your football as you want to play the game, try and enjoy it and make the most of it.
For a young player like me, it is good to play for a club that can get to the semi-finals because one of the reasons I play football is for these big games.
You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
There's a rumbling with young artists and young filmmakers that are dying to get different points of view, different stories, out there. It's all changing and happening and they're able to maybe not play their movies in theaters but get them on the internet. This is the new wave, the new world.
Obviously being a young player I get caught out of position a lot and I'm happy to have the speed I have.
It is possible to enjoy the Mozart concerto without being able to play the clarinet. In fact, you can learn to be an expert connoisseur of music without being able to play a note on any instrument. Of course, music would come to a halt if nobody ever learned to play it. But if everybody grew up thinking that music was synonymous with playing it, think how relatively impoverished many lives would be. Couldn't we learn to think of science in the same way?
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