A Quote by Harry Lennix
My view is that "A Small Oak Tree Runs Red" is about putting people 'on the record,' who otherwise would have been forgotten, as a result of their bravery and love for one another. These characters demand justice, and they got punished for it. If we can correct that record in our artistic expression, in a poetic form such as this play, then that is our entire purpose and greatest benefit.
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I hope that people will come and experience our play 'A Small Oak Tree Runs Red' . I don't want anybody to suffer, but I source the 18th Century philosopher David Hume in association with the experience. He asserted that when we go to a tragic play, and when the form of tragedy is well put together, then we can experience a catharsis that is soul cleansing, and an anodyne to what our life would be like without it.
When we shout at the oak tree, the oak tree is not offended. When we praise the oak tree, it doesn't raise its nose. We can learn the Dharma from the oak tree; therefore, the oak tree is part of our Dharmakaya. We can learn from everything that is around, that is in us.
What Grandfather Burton did for me was to write a sacred family record, the small plates of Burton, or, if you will, an inspirational family record. Much of what we now regard as scripture was not anything more or less than men writing of their own spiritual experiences for the benefit of their posterity. These scriptures are family records. Therefore, as a people we ought to write of our own lives and our own experiences to form a sacred record for our descendants. We must provide for them the same uplifting, faith-promoting strength that the ancient scriptures now give us.
Our first record as the Veronicas was a big mainstream success. Maybe if we'd had the indie record first, then the breakout record, it would have been supported by Triple J.
As musicians, we are quite literally singing for our supper. Don't get me wrong, I love touring, but the reality is that our idols from the '70s and '80s never toured this hard. They'd do a record, have one big world tour, maybe two, then break to do another record.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
We play everybody's Christmas records at our house, and sometimes you think, 'I'm not gonna play my own record; I'd be embarrassed.' But I'm gonna play our record this Christmas, because I love the songs!
As a lawyer, as a private citizen, you see a lot of injustice. You see a lot of people who should have been punished and are not, and people who were punished wrongfully are not vindicated. Fiction is sort of a way to set the record straight, and let people at least believe that justice can be achieved and the right outcomes can occur.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
Sometimes I make an analogy that each scientific paper is like putting out another record. And some people have careers that are nothing but a one-hit wonder. And then there are people who are only appreciated by aficionados but largely forgotten by the wider community.
There may have been somewhere, as a few eighteenth-century philosophers dreamed, a group of peaceful men who got together one evening after work and drew up a Social Contract to form the state. But nobody has been able to find an actual record of it. Practically all the governments whose origins are historically established were the result of conquest-of one tribe by another, one city by another, one people by another. Of course there have been constitutional conventions, but they merely changed the working rules of governments already in being.
I firmly believe in and support everyone's right to freedom of artistic expression. STEEL MAGNOLIAS is my artistic expression, and it is my right to say that its female characters be portrayed by women. The concept of a play set in a beauty parlor where men portray women is a terrific idea. If that is someone's artistic expression, I encourage them to write their own play as soon as possible.
An oak tree is an oak tree. That is all it has to do. If an oak tree is less than an oak tree, then we are all in trouble.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
We've been around long enough that there have certainly been people at every stage of our career telling us about one or another record being influential to their lives in one way or another. It's always nice to hear that stuff.
I think it would be wrong to consider 'Ashes and Fire' a love album. The record is obsessed with time. I believe that there is a kinder view of the self on this record.
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