A Quote by Harry Lloyd

I didn't want to be stuck in Dickens period dramas because then I would never know if I was any good. — © Harry Lloyd
I didn't want to be stuck in Dickens period dramas because then I would never know if I was any good.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
Oh, I love period dramas, especially period dramas starring Colin Firth. I'm like Bridget Jones if she were actually fat." "Oh... Colin Firth. He should only do period dramas. And period dramas should only star Colin Firth. (One-star upgrade for Colin Firth. Two stars for Colin Firth in a waistcoat.) "Keep typing his name, even his name is handsome.
Without a doubt, the majority of historical period dramas tend to be told from a certain perspective. At least in America, black people have some visibility in period dramas, although it's usually in the form of slaves or servitude.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
I know I'm as comfortable doing period as I am contemporary. I suppose we grow up with it in a sense, in the theater. We get to put on costumes and play a lot of period dramas or plays so we're exposed to it a little bit more I think because of our theatrical background.
Because I had grown up with Jane Austen novels and period dramas, I was very familiar with that period and that world.
I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.
I quite fancy having a hover car, but I don't fancy everyone having one. Because I feel like I spend quite a lot of time stuck in traffic on the 405 but if everybody had one then they'd be scared and we'd crash, but if it was just me, then I think I would zoom home quite fast. I also quite fancy a phone attached to my hand but then I don't know if I fancy it being stuck to my body.
Nobody ever texts me, because they know what I'm like. I'm a constant frustration to my children because I never switch my mobile phone on. I only use it when I need to make a call or when I'm stuck somewhere or lost, then I switch it off again. I've never texted anyone in my life, and I'm not sure I even know how to.
It's not like I want to be Prince Charming when I do dramas. But I think I've always shown such an image because that's just the way Korean dramas work.
I like to go to parties if I know who's going to be there, and if it's people I want to be with. I don't just go to go. And I always drive myself, because I hate being stuck places - there's nothing worse that going out and then being stuck!
I had a period in my life where I decided that I would never be bored again and that, if I had any free time at all, I would make plans, and I would always be doing things. It actually was great for a year or so, but then I lost all of my friends.
You never know if it's any good until people respond to it. You know how it feels when you do it, but there's so many things involved. The thing you do realize is, if the movie isn't any good, then it's your fault. That's what you think about.
I have plenty of dream roles because there is so much I want to do, but my dream year would be to be in a single-camera comedy and then, on my hiatus, film a little low-budget indie drama. That would be a dream 12-month period. A dream role depends on having good material and working with people that I can learn from.
You just never see people of different ethnicities in period dramas.
Taking the humour out of Dickens, it's not Dickens any more.
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