A Quote by Harry Mathews

What I said about John was that he liberated me from my anxieties about writing in a correct, acceptable way. — © Harry Mathews
What I said about John was that he liberated me from my anxieties about writing in a correct, acceptable way.
They're both about the correct or proper way to do something. There is a correct and proper way to use words and there is a correct and proper way to behave with other people. And I behaved improperly with John and feel bad, so I compensate by obsessing with language, which is easier to control than behavior.
Obviously, Kanye and I are very different in the way we express ourselves publicly. He's so passionate... about art, about culture, about creativity. And he's really good at it. And that honesty manifests itself in ways that are not politically correct, not socially acceptable sometimes.
We [with John Logan] started talking about The Searchers, and then he went on to tell me a story about when he first met John Wayne, and he said, "Hey, you be me and I'll be Wayne," and I said, "No, let me be Wayne!" Anyway, it was a very pleasant conversation, it was clear to him that I was a big movie fan, and by the time I got home, there was a phone call, asking if I'd mind doing one scene in the movie [The Aviator].
I think all writing is about writing. All writing is a way of going out and exploring the world, of examining the way we live, and therefore any words you put down on the page about life will, at some level, also be words about words. It's still amazing, though, how many poems can be read as being analogous to the act of writing a poem. "Go to hell, go into detail, go for the throat" is certainly about writing, but it's also hopefully about a way of living.
If homosexuality being inborn is what makes it acceptable, why does racism being inborn not make racism acceptable? … We are born that way. We don’t choose it. So shouldn’t it be acceptable, excuse - this is according to the way the left thinks about things.
John Kerry presented his confidence and his convictions. It's not about confidence, it's about evidence. The Russians have completely opposite evidence that the missiles were thrown from an area where the rebels control. This reminds me - what Kerry said - about the big lie that Collin Powell said in front of the world on satellites about the WMD in Iraq before going to war. He said "this is our evidence."
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
One day, we were going to the studio for John's recording session, and as we were leaving to get to the studio, in the elevator, all of a sudden, John leaned over and gave me a kiss. He said, 'I've been waiting to do this all day.' I said, 'What are you talking about?' What happened was, he'd liked me.
My wife asked me about that: "What happened to your beard?" I said, "What are you talking about?" She said, "Hey, the right side is shorter than the left." I said, "You gotta be kidding me." So I went in there and looked, and I combed it out and I said, "I don't know, that's just the way it grows."
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
I was asked by an editor to consider writing something about an American inventor. I asked him if he knew who invented the computer. He said he didn't. In that case, I told him, I should write a book about John Vincent Atanasoff.
I've said this about many people, but when you were recruiting against John Beilein you knew it was a fair fight, a real fight and he was going to do it the right way. I have a lot of respect for John. He's a heck of a coach and he will do a great job in Cleveland.
And it's just anathema to being a writer. It's not healthy. But in another way, when I'm writing, what it's about for me is being good on the page. None of that noise could change the way I feel about my writing. Which is not always particularly positive.
The weird thing for me is I'm sitting there in the '80s writing about the Mutant Control Act and here we are in the second decade of the 21st century with the Patriot Act, listening to presidential candidates talk about building walls to keep people out: who's acceptable and who isn't. It's very creepy.
I said: what about my eyes? God said: Keep them on the road. I said: what about my passion? God said: Keep it burning. I said: what about my heart? God said: Tell me what you hold inside it? I said: pain and sorrow? He said: Stay with it. The wound is the place where the Light enters you.
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