A Quote by Harry S. Truman
For reasons of national security and out of consideration for some people still alive I have omitted certain material. Some of this material cannot be made available for many years, perhaps for many generations.
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It's always this grand search in the industry to find good material. Whenever there is good material, they all jump on it, and it's like a food fight to get it made. That's why so many things take years and years to develop because it all shows up on screen.
There are some legitimate security issues, but I believe many of the objections the administration is making are not for security reasons, but to disguise mistakes that were made prior to Sept. 11.
The reasons you have for doing a movie will vary with the way your life is going. There was a time when a made a some movies because I felt I needed to work. And I didn't think about the material as much. But sometimes I've thought about the material a lot and thought I was doing the right thing, and it didn't work out.
I'm planning a different show, though for obvious reasons some of the material will be the same, and of course I will perform material from the new CD.
The skill of a good actor is to make it always seem like you're in that fantastically spontaneous moment. Very often, a stand-up comedian has a different instinct, which is to reinvent. Once you've laid down some material, and made them laugh, you move on and find some new material.
When people get cancer now, the first thing you do is you go to some doctors to get some advice, figure out what to do. People live a long long life after a cancer diagnosis. Not that it's not scary. The people I know have done so many stupid things. And they're still alive. Just being alive at this point is kind of icing on the cake.
My writing is of a very different kind from anything I've heard about. All this mythological material is out there, a big gathering of stuff, and I have been reading it for some forty- or fifty-odd years. There are various ways of handling that. The most common is to put the material together and publish a scholarly book about it. But when I'm writing, I try to get a sense of an experiential relationship to the material. In fact, I can't write unless that happens ... I don't write unless the stuff is really working on me, and my selection of material depends on what works.
I believe that many people are unhappy because they have not learned to be grateful. Some carry the burden of bitterness and resentfulness for many years. Some pass their days as though suffering a deep sadness they cannot name. Others are unhappy because life didn’t turn out the way they thought it would.
We now expect Google, Facebook, Twitter and other companies to police the Internet for dangerous and illegal material - violent, terrorist, criminal - and some democratic governments require them to do so. But what if they did decide to repress material for political reasons? How would we know?
The Bible became the book of books, but it is not one document. It is a mystical library of interwoven texts by unknown authors who wrote and edited at different times with widely divergent aims. This sacred work of so many epochs and so many hands contains some facts of provable history, some stories of unprovable myth, some poetry of soaring beauty, and many passages of unintelligible, perhaps coded, perhaps simply mistranslated, mystery. Most of it is written not to recount events but to promote a higher truth—the relationship of one people and their God.
In our quest to quickly make three-dimensional objects, we can miss out on the experience of making something that helps give us our first understandings of form and material, of the way a material behaves--'I press too hard here, and it breaks here' and so on. Some of the digital rendering tools are impressive, but it's important that people still really try and figure out a way of gaining direct experience with the materials.
Now it is time to turn to an older wisdom that, while respecting material comfort and security as a basic right of all, also recognises that many of the most valuable things in life cannot be measured.
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
Producer Ed Pressman had a book about Diane Arbus - it's the only biography that exists - and there had been many Diane Arbus scripts. Many. I don't even know how many over the years. And it's sort of a cursed project, for lots of reasons. There's probably some pile somewhere of all these weird attempts, all these portraitures that can't get made.
Introspection is a devouring monster. You have to feed it with much material, much experience, many people, many places, many loves, many creations, and then it ceases feeding on you.
Some things I found out in the National Convention I wasn't too glad I did find out. But we will work hard, and it was important to actually really bring this out to the open, the things I will say some people knew about and some people didn't; this stuff that has been kept under the cover for so many years. Actually, the world and America is upset and the only way to bring about a change is to upset it more.
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