A Quote by Harry Shearer

I think the British learn their history through the prism of this gallery of grotesques known as the royals. — © Harry Shearer
I think the British learn their history through the prism of this gallery of grotesques known as the royals.
I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
Like white light refracted through a prism and split into many colors, God's eternal love-nature, expressed through the prism of time, becomes God's multicolored love story. History is His story.
There's a very delicate but important contract that a Royal has with the British public and it's this: Most people don't mind paying for the Royals as long as those Royals live a miserable, thwarted existence full of horrible compromise.
If you sit down with British officers or British senior NCOs, they understand the sweep of history. They know the history of British forces not just in Afghanistan but the history of British successful counter-insurgencies - Northern Ireland, Malaysia.
Biography is history seen through the prism of a person.
It's very easy for Australians living in big cities to either romanticise or demonise the situation in Aboriginal places - to kind of look at things through the 'noble innocents' prism or through the 'chronically dysfunctional' prism, and I suspect that is so often the case.
I think, generally, British people are more culturally cynical about the things that involve our own country. Especially the royals.
I do see the ministry of Human Resources Development through the prism of gender. I see it through the prism of capabilities.
I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
The people [in the USA] are not very well informed. They certainly don`t know history. They certainly are not interested in foreign affairs very much, unless it comes right to their doorstep. They all learn history through wars. They learn geography through wars.
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn, it's a vehicle for it.
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn; it's a vehicle for it.
With or without the Royals, we are not Americans. Nor are we British. Or French. Or Void. We are something else. And the sooner we define this, the better.
We fear the arrival of immigrants that we have drawn here with the wealth we stole from them. For much of the rest of the world we must be the focus of bitter amusement, characters in a satire we don't understand. It is British people that don't learn languages, or British history. Britain is the true scrounger, the true criminal.
When I set a glass prism on a windowsill and allow the sun to flood through it, a spectrum of colors dances on the floor. What we call "white" is a rainbow of colored rays packed into a small space. The prism sets them free. Love is the white light of emotion.
When my work does speak to audiences, when it creates audiences around it, I feel a little less crazy because what that means is that there are folks out there who are interested in thinking about themselves and the world through a prism. The prism is a labor and there can be a pleasure in labor.
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