A Quote by Harry Shearer
As a kid, I really did want to hang out with the grownups, so it was hanging out with the hippest grownups in the world. This was the nicest bunch of people I've worked with in show business, with the exception of the people around 'A Mighty Wind.' It really was a wonderful eight years.
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I had problems getting my words out. If people spoke directly to me, I understood what they said. But when the grownups got to yakking really fast by themselves, it just sounded like 'oi oi.' I thought grownups had a separate language. I've now figured out I was not hearing the hard consonant sounds.
I drink every night. But I don't hang out and party. Not that I'm selling out Madison Square Garden, but in the old days after a show you could hang out with a few people. But now you're hanging around with 20 people, all of whom don't know each other, and they're all, "Leave my outgoing greeting on my voice mail, man, come on!"
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
We thought we were running away from the grownups, and now we are the grownups.
Kids are beautiful, man. And they know much more than grownups think they know. Kids are just perfect people until grownups get their hands on them.
I don't really think differently of making a movie for grownups or making a movie for kids, if it's boring it's boring, so you want it to be entertaining and I think funny is funny whether it's for kids or grownups, the only real difference is language.
Hanging out is a waste of time. The only time I would hang out was when I was a kid, I would hang out in the streets. But once I started making records, I stopped hanging out.
I've found that the people who play villains are the nicest people in the world, and people who play heroes are jerks. It's like people who play villains work out all their problems on screen, and then they're just really wonderful people.
Sometimes you're not like the person you'd want to hang out with. Would I really want to hang out with me full time? No, you've gotta find people who balance you out.
I've actually always wanted to be able to read people's minds. My sister did a movie with super-powers and that's the one I would have wanted, so I really lucked out. The negative is that people are really cruel in their own minds, but you can weed out the bad people from the good people, and then just hang out with the good people.
It's great to meet people in a setting where it's really conducive to hanging out and having
fun. Most film festivals are really low-stress, and good times to hang out with buddies and talk about what you're working on and come up with new ideas.
If I'm not working, I really have nothing to do with it - I'm not hanging out and mixing with film people. Not that I have anything against film people; they're some of the best people around and some of the worst people around, just like in any business... they just gesticulate a little bit more.
I don't really hang out with people. I like to be by myself. In fact, I've been arrested a few times because I like to walk around at two or three in the morning, looking at shop windows. The cops take me to the station and fingerprint me. But I wouldn't call that hanging out.
My role on 'Silicon Valley' was so small that I didn't have a lot of influence anyway in the show. There are four guys who really write that show and run that show and then six or eight hanging out in a room kicking in a few bits.
I think Jesus was about bringing people together and connecting people in love, hanging out with the people who other people didn't want to hang out with. Spending time with the worst of the worst because He knew those are the people who needed Him most.
I met a bunch of people and they said, "We're gonna do a show [Second City]." So we would buy the theater out and do a show, and we did that for five years and we ended up becoming popular. It was before sketch comedy was hipster-time - when you would hand out a flier, people would roll their eyes. Now it's kind of cool.
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