A Quote by Harry Shearer

To me, the funniest American of the Twentieth Century is Richard Nixon because he had the most to hide, and he was so bad at hiding it. To me, that's what's really funny - people who think they're doing a great job of hiding stuff, and it just keeps leaking out.
When I'm teaching, I'm not really doing my job if the student who's always comfortable doing wacko stuff all over the page keeps getting gold stars from me for doing wacko stuff all over the page. A riskier assignment for that student, who might be used to hiding behind a lot of formal armor, would be to try to do something straightforward, traditionally, in which they are much more directly laid bare for the reader.
Hiding here, are you? That’s awkward.” “Why?” “Because I had intended to hide here myself.” “You may hide here with me, if you wish.
I am beginning now to see how radically the character of my spiritual journey will change when I no longer think of God as hiding out and making it as difficult as possible for me to find him, but instead as the one who is looking for me while I am doing the hiding.
American theatre, to me, represents zeroing down on what the need is to get inside the personal hearts of people. I think it's really beautiful if we can keep doing that instead of just fluffing everything up and hiding again.
I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.
I don’t wanna die, man. They’re not playing. Have you seen how many of them are out there? One just took a shot at me, so unlike you morons, I’m hiding. Hiding is nice. (Vik)
I think that Richard Nixon is a great man and that he is very dedicated to what he does. I had the pleasure of meeting him when I attended the Republican National Convention in Miami. You can really tell that he is willing to go out of his way to help the American people.
Richard Dreyfuss, when we were doing 'American Graffiti,' was pumping me to vote for McGovern. But I think I wound up going for Nixon. I thought he could get us out of the Vietnam War quickly. Ha.
I really believe, when you come out of hiding, in whatever way you're hiding, you get to go out into the sunlight.
Osama Bin Laden was found hiding in a house compound in Pakistan by American forces. Muammar Gaddafi was captured by rebel militia while hiding in a drain underneath a road in Libya. And Pakistani starlet Veena Malik was found by the Indian media hiding in a suburban hotel in Mumbai.
I think the most important thing is authenticity, just being as real as I can be. But also flexible and open to change and other ideas and thought processes. Back when you and I last talked, I was at a turning point in my life, and I was having a tough time. I was hiding it, but I had a really hard time just being me. So now it's important that I'm just me.
I think the kick to doing comedy is just to get in a film with really funny people and let them do their jobs. I find that in most comedies, I'm not the funny one, which works out great.
It's not what people do that scares me. It's what they hide. It's the secrets that keep us from bonding and create distrust. If we were more willing to accept each other's depravity we'd be more united, we'd be more honest. If you hide two things from me, I'll assume you're hiding a million. And I'll keep you at a distance. I'm not afraid of the evil in you. It's in me too.
A lot of people that are always trying to be funny and "on" and performing are just hiding. It's just a cover for what they really are and how they really feel.
I think when things happen in our lives that we can't truly understand why they destroy us, it's because we can't truly understand or communicate it to anyone else. And that is what is destructive - you can't communicate it to the people that you love and it makes things deteriorate. Or you're hiding from yourself, or you're hiding from somebody else, and that was really fascinating to me... that life isn't like the movies and you can't always point to one thing and explain why you did things that ended up hurting you.
To hide a passion totally (or even to hide, more simply, its excess) is inconceivable: not because the human subject is too weak, but because passion is in essence made to be seen: the hiding must be seen: I want you to know that I am hiding something from you, that is the active paradox I must resolve: at one and the same time it must be known and not known: I want you to know that I don't want to show my feelings: that is the message I address to the other.
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