A Quote by Harry Treadaway

I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from. — © Harry Treadaway
I look for something that grabs me and that's heartfelt, and that's coming from a good place. I want to work with good actors and with directors that I can learn from.
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.
It's not so important to me where I work. A lot of good writers and directors and actors come out of Hollywood, so obviously it would be great to work there, but there's some great stuff coming out of Britain, so I'm going to see what comes from all angles.
I want to work with great directors. I want to work on good material with good actors. I've probably done 20 movies at this point and a lot of independents. It's been an incredible ride and I love it and I'm just going to keep going and doing what I'm doing.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.
I really just want to work with good directors and learn as much as I possibly can.
Like any other actor, I want to work with good directors, and I always look for good scripts. I've had to say no to some people; I suspect that's the reason I'm called arrogant.
I think that some of the writing, directing, and the content is better than a lot of movies sometimes. Actors, well artists in general - actors, writers, directors - what we all care about the most is good work and being able to create something that is really resonant and meaningful.
I always want to do something I haven't done before and get to work with other actors, writers, or directors that I want to work with.
But a lot of my training can be done in Aston - a lot of the hard work, so to speak. But a new atmosphere, a new place, and it's good for me because I didn't want to get stuck in one spot, so coming home is good, back and forth, you know, where my roots are.
If it's something that reaches out and grabs me, I want to do it. I have a lot of trouble doing things that don't grab me. So, I'm not a very good actor in that way. I can't fake it.
I feel like a lot of the young actors that are just coming up are really good. I think directors are directing better.
As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
I want my sheer work to to speak for my talent and it will be quite an achievement, I believe, if producers and directors look at my work and offer me something.
It's hard for new directors to find good tracks because we don't usually get to choose good music by good artists. I honestly think music videos will slowly die out. There will always be a few directors who do cool things. But look how many great videos there were in the '90s, and then look at the 2000s. It's depressing.
There are plenty of bad actors and there are plenty of bad directors. There are actors who will always be bad and there are good actors who you cry for because they're being badly directed or the material isn't good enough.
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