A Quote by Harry Treadaway

The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky real relationship slowly turns into something horrifying, but you get there through a filter of reality with all of it.
There's something so great when you're watching a movie when you slowly get to know somebody more, because it's like a real relationship.
Every night, I will write until I'm done. Until my eyes are burning and tearing, and I can't see the computer screen anymore, till I finish the script, till I get to the point where I'm happy stopping, till I get everything off my plate, because I hate going to bed with a full plate. It makes me very neurotic.
I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.
Some people can seem perfect... everything about them can, on paper, be just right. Until you get to know them. Really know them. Then you find out, in the end, while they might be perfect to every one else, they just aren't right for you.
I think people, if you really want to be happy, you have to find God yourself, and you're going to have to have a personal, one-on-one relationship and not look to get through these traditions or these rituals and all this crazy stuff when you could talk to him right here, right now, anytime, anywhere, any place, from any position. And that's the kind of relationship you want, not a standard.
I can only drive slowly." "That's all right." "And I can only do left turns." Rose ran downstairs, grabbed a road atlas, and ran triumphantly back up again. "Wales is left! Look! It's left all the way!
Something like 'Psycho,' which is this psychological thing that slowly, slowly, slowly builds, and actually it's a much more powerful reaction you have when it assumes that you're intelligent as you're watching it. I want them to make me believe that whatever's happening could really happen, and then it becomes much more frightening.
There's something going on right now in America, where the American spirit or character is reasserting itself around liberty. I think it's an important time, and I'm trying to document that as an artist. If I just filter what I read through the media, if I just go through what I read through the media, I'm not really in touch with the world I grew up in. I know there's a gap there, I talk to my relatives, I talk to people I meet traveling around, and their mind is on something completely different.
Every time I get happy the Nana-hex comes through. Birds turn into plumber's tools, a sonnet turns into a dirty joke, a wind turns into a tracheotomy, a boat turns into a corpse.
Some things you're not letting happen right now because the timing isn't perfect for you. Some you're not letting happen because you are very aware of where you are. But all things, as they are happening, are happening in perfect order. And if you will relax and begin saying, "Everything in its perfect time. Everything is unfolding. And I'm enjoying where I am now, in relationship to where I'm going. Content where I am, and eager for more," that is the perfect vibrational stance.
There is a moment when nothing can be wiped out and left behind any more, when there is only reality and reality is horrifying.
I was writing short films and I was going through this really, really, really terrible end of a relationship that I didn't want to be going through. It was too much for me to process and all of a sudden I had this idea for my first feature film and I knew right away I had to start writing it.
It's the only way I really know how to tell the story is to be able to kind of live through the characters. So when I find something that resonates with me, it's usually because it cuts to something very real inside of me; something that I've gone through or experienced.
To perform on stage, you have to run through your paces till you are perfect. Despite the script and director, the actor makes or breaks the play.
When you get to really involve yourself with a piece [script] and the other people and you get to feel like it's a community and you're all building something together, it helps me to produce better work, I think. And there's an exhaustion that happens on a film set - an exhaustion that translates into a relaxation and helps me to live in the moment, in the performance I'm giving and what's happening around me.
Mainstream media tend to just mouth the conventional wisdom, to see everything through the filter of right and left.
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