A Quote by Harshvardhan Rane
I believe there is a shallow side to every actor, who craves to be presented well.
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Every actor craves choice.
Ah, well, being conflicted means you can live a shallow life without copping to be a shallow person.
Your soul craves truth, beauty, wonder, love. Your soul craves to dream, to imagine, and even simply to understand. Your soul craves to connect, to commune, to create.
One must never comment as an actor, never show that a character is shallow or vindictive, but let that be conveyed. I mean, none of us thinks of ourselves as being vindictive or shallow - perhaps we should.
Among a democratic people, where there is no hereditary wealth, every man works to earn a living, or is born of parents who have worked. The notion of labor is therefore presented to the mind, on every side, as the necessary, natural, and honest condition.
I wanted to be an actor from a young age, but actually becoming one and seen the ugly side of the world does feel different and sometimes unwelcome. There are shallow, vapid, untalented people zombieing the streets of Hollywood, adding decadence and immorality to an already extravagant business.
I think it's something that you learn to deal with the more experienced you become. When I first presented live news, which was 12 years ago, I was very inexperienced and probably didn't deal with the pressure as well. I used to breathe very shallow when I was presenting and you could hear it in my voice and see it in my face.
We are shallow because our media are so horribly shallow. Every morning, I peruse the papers, and there is so little to read in them. It is the same with radio - all that noise, that artifice.
There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.
Having children has helped me become a better actor because they remind you to play make believe. It's the ease and naturalness of their beings. They just play and it's completely real for them at the time. As an actor, if we do it well, we make you believe.
An actor definitely has to be in the past a well as the present; an actor must react to past experiences every minute, every second.
Were not one thing, as human beings, so any character that is written uni-dimensional, thats just a shallow character with shallow writing and shallow acting.
The only thing I have tried to do is be a part of different films and bring out a different side of me as an actor every time I play a character. I would like to be known as a versatile actor.
The ear tends to be lazy, craves the familiar and is shocked by the unexpected; the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition.
Sure, I got lost, which is an actor's worst nightmare. But it is a gift as well, because great things come out of being lost and unsure, especially if you have a controlling side or a perfectionist side, which plenty of us do.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
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