A Quote by Hartmut Esslinger

Good design should reflect a sense of human history-some aspect of where we've come from. — © Hartmut Esslinger
Good design should reflect a sense of human history-some aspect of where we've come from.
Good design is innovative 2. Good design makes a product useful 3. Good design is aesthetic 4. Good design makes a product understandable 5. Good design is unobtrusive 6. Good design is honest 7. Good design is long-lasting 8. Good design is thorough, down to the last detail 9. Good design is environmentally friendly 10. Good design is as little design as possible
Democrats believe that government should reflect the sense of community that Americans demonstrated after Katrina - the sense of community that has defined and united America throughout its history.
There are so many different aspects of my life - the on-camera aspect, the laid-back aspect with my friends and family, the career-oriented aspect, the design aspect.
We should learn and reflect to the best of our capacity, but when we reach a point where we are unable to make sense of life, we should supplant faith for understanding, and reflect again on what we do know.
Be fun! I don't like homes or rooms that don't have a sense of humor or have some sense of whimsy or a personality. Your home should reflect who you are, and what you love. I would never have something in my home because it's the thing to have. I have to love it and it needs some connection to me.
The most common misperception is the word 'design'. People think of primarily pretty pictures or forms. They don't understand the depth to which design goes-not only in products, but in every aspect of our life. Whether it is the design of a program, a product or some form of communication, we are living in a world that's totally designed. Somebody made a decision about everything. And it was a design decision.
Every human should have the idea of taking care of the environment, of nature, of water. So using too much or wasting water should have some kind of feeling or sense of concern. Some sort of responsibility and with that, a sense of discipline.
Design must reflect the practical and aesthetic in business but above all... good design must primarily serve people.
We have been living amidst one of the great revolutions of human history, and we hardly know it: the penetration of the State into every aspect of human life and society. Some people regard this as good and "progressive," others regard it as tyrannical; but either way, it's a fact, a transformation as great as, say, the Industrial Revolution. Absolutely nothing is now beyond the scope of State power.
Graphic designers should be literate in graphic design history. Being able to design well is not always enough. Knowing the roots of design is necessary to avoid reinvention, no less inadvertent plagiarism.
Design should revolve around what the main purpose of the space is. If you plan to live there, it should reflect your personality.
And that's what art is, a form in which people can reflect on who we are as human beings and come to some understanding of this journey we are on.
Good design for the home should be universal. A house should be like old shoes, comfortable, like a good friend... The Japanese aesthetic is important to me. Very organic. They have a sense of the weight of the thing: very balanced.
Simple old-fashioned values that come from a sense of community are the key to a great society. I believe we all have that sense from childhood memories, when life was simple. It's those memories that should drive us to reflect on our values.
I love the idea of engaging the object, whether it be architecture or a piece of good graphic design, or a good painting, or piece of sculpture, or even a piece of industrial manufactured object. A piece of engineering can be quite beautiful, too, or a photomicrograph, or a cosmic photograph. We're physical beings and why deny that. So in that sense, it's very sensual to have an object that has the power to communicate some emotion or a state or give you some sense.
All human populations are in some sense immigrants. All hostility between different cultures in one place has an aspect of the classic immigrant grudge against the next boatload approaching the shore. To defend one’s home and fields and ancestral graves against invasion seems a right. But to claim unique possession – to compound the fact of settlement with the aspect of a landscape into an abstract of eternal and immutable ownership – is a joke.
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