A Quote by Haruki Murakami
She was a keen observer, a precise user of language, sharp-tongued and funny. She could stir your emotions. Yes, really, that's what she was so good at - stirring people's emotions, moving you. And she knew she had this power...I only realized later. At the time, I had no idea what she was doing to me.
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...fact was she knew more about them than she knew about herself, having never had the map to discover what she was like. Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother? A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me? (140)
Though her emotions had not deviated from a jittery frailty she knew that in her own room she could at least attempt sleep and that if she dreamed she might then finally be with Henry.
When I walked in on 'Drag Race' and saw Katya, I had no idea she was gonna be funny, because she was stunning. She had this perfect red lip, I remember looking into her eyes and being like, 'This is a woman!' Then she was really funny. She kind of presents normal, and it's a one-two punch with the comedy.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
For the first time, she did want more. She did not know what she wanted, knew that it was dangerous and that she should rest content with what she had, but she knew an emptiness deep inside her, which began to ache.
She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.
but she realized that she wanted him to know her. She wanted him to understand her, if only because she had strange sense that he was the kind of man she could fall in love with, even if she didn't want to.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
And you can tell that Britney Spears is struggling with who she is. I think she has a team of agents and managers who are saying, yes, push the envelope, kiss Madonna, take off all your clothes. And she’s doing that because she doesn’t want to sacrifice this enormous platform that she’s built. But at the same time, she is sacrificing herself and you can see that in her eyes when she talks.
My mom is one of those people that you feel honored to meet. And no matter who you are, you fall in love with her because she is spiritual, she's inspiring, she's strong, she's funny, she's creative, she's talented... she's everything that I want to be.
I think the great power of Bette Davis was she always knew who she was. She had an obligation to herself and her audience. When you think of what she was compelled to do, the power she put on the screen, the fact that she took upon herself a much greater task.
People think Paris [Hilton] is a ditzy blond, and I don't want to blow it for her, but she plays it really well. She knows exactly what she's doing. She's actually a pretty smart person. She's very cognizant of what she's doing, and she kind of plays that role, so people think she's some airhead but she's really not.
I always found Louise Brooks interesting. She was an icon of the silent - film era, and I knew she'd grown up in Kansas, and that she was smart and rebellious and sharp - tongued.
She had witnessed the world's most beautiful things, and allowed herself to grow old and unlovely. She had felt the heat of a leviathan's roar, and the warmth within a cat's paw. She had conversed with the wind and had wiped soldier's tears. She had made people see, she'd seen herself in the sea. Butterflies had landed on her wrists, she had planted trees. She had loved, and let love go. So she smiled.
She was humbled, she was grieved; she repented, though she hardly knew of what. She became jealous of his esteem, when she could no longer hope to be benefited by it. She wanted to hear of him, when there seemed the least chance of gaining intelligence. She was convinced that she could have been happy with him, when it was no longer likely they should meet.
To me, crying is not a sign of weakness. She wants it that bad and she puts her whole heart into it. She had really high expectations, and that's why she's so good. She just had a bad game.
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