A Quote by Haruki Murakami

She was hearing everything that went on in his heart, like a person who can trace a map with his fingertip and conjure up vivid, living scenery. — © Haruki Murakami
She was hearing everything that went on in his heart, like a person who can trace a map with his fingertip and conjure up vivid, living scenery.
But she had dreamed of being his for too long. He had quite ruined her for a marriage of convenience. She wanted everything from him: his mind, his body, his name and, most of all, his heart.
Kevin stopped where he was and stood there simply gazing at her. Molly sat cross-legged in the meadow with the sun shining on her bare shoulders and a pair of yellow butterflies fluttering like hair bows around her head. She was all the dreams he'd lost at dawn-dreams of everything he hadn't understood he needed until now. She was his playmate, his confidante, the lover who made his blood rush. She was the mother of his children and the companion of his old age. She was the joy of his heart.
Strangely, what pierced his heart and mind most sharply was not the memory of her lips under his at the ball, but the way she had leaned into his neck, as if she trusted him utterly. He would have given everything he had in the world and everything he would ever have, just to lie beside her in the narrow infirmary bed and hold her while she slept. Pulling away from her had been like pulling his own skin off, but he'd had to do it.
A person sets out to write a poem for a variety of reasons: to win the heart of his beloved; to express his attitude toward the reality surrounding him, be it a landscape or a state; to capture his state of mind at a given instant; to leave - as he thinks at that moment - a trace on the earth.
Suddenly he stops. He looks up. For, lo, there she stands. The girl of his dreams. Who she is or whence she came, he knows not, nor does he care for his heart tells him that here, here is the maid predestined to be his bride.
The sense of crisis is everything for Trump - even if it's largely invented. His depiction of darkness justifies his candidacy, the need to violently shake the system. His ability to conjure fear is what distinguished him from all those career pols he has vanquished. And it suits his ego.
He knew she was there by the joy and terror that took possession of his heart [...] Everything was lit up by her. She was the smile that brightened everything around.
"You can buy a person's hand, but you can't buy their heart. His heart is where his enthusiasm, his loyalty is. You can buy his back, but you can't buy his brain. That's where his creativity is, his ingenuity, his his resourcefulness."
He stepped toward her, and her heart just ached from it. His face was so handsome, and so dear, and so perfectly wonderfully familiar. She knew the slope of his cheeks, and the exact shade of his eys, brownish near the iris, melting into green at the edge. And his mouth-she knew that mouth, the look of it, the feel of it. She knew his smile, and she knew his frown, and she knew- she knew far to much.
She realized all at once that Doon, thin, dark eyed Doon, with his troublesome temper and his terrible brown jacket, and his good heart---- was the person she knew better than anyone now. He was her best friend. --City of Ember--
Xhex: John, she said softty. He paused and looked over his shoulder toward the bed. I love you.” His handsome face tightened in pain, and he rubbed the middle of his chest, as if someone had fisted up his heart and squeezed it dead. And then he turned away. As she hit the confines of her prison… She was screaming at the top of her lungs.
... being perpetually charmed by his familiar siren, that is, by his geometry, he neglected to eat and drink and took no care of his person; that he was often carried by force to the baths, and when there he would trace geometrical figures in the ashes of the fire, and with his finger draws lines upon his body when it was anointed with oil, being in a state of great ecstasy and divinely possessed by his science.
It was at first almost as if he hadn't wanted to kiss her. His mouth was hard on hers, unyielding; then he put both arms around her and pulled her against him. His lips softened. She could feel the rapid beat of his heart, taste the sweetness of apples still on his mouth. She wound her hands into his hair, as she'd wanted to do since the first time she'd seen him. His hair curled around her fingers, silky and fine. Her heart was hammering, and there was a rushing sound in her ears, like beating wings
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
Who can map out the various forces at play in one soul? Man is a great depth, O Lord. The hairs of his head are easier by far to count than his feeling, the movements of his heart.
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