A Quote by Haruki Murakami
When a writer develops a story, he is confronted with a poison that is inside him. If you don't have that poison, your story will be boring and uninspired. It's like fugu: The flesh of the pufferfish is extremely tasty, but the roe, the liver, the heart can be lethally toxic.
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Desperate? So what? I'm desperate, too!" Fenoglio snapped at her. "My story is foundering in misfortune, and these hands here," he said holding them out to her, "don't want to write anymore! I'm afraid of words Meggie! 'Once they were like honey, now they're poison, pure poison! But what is a writer who doesn't love words anymore? What have I come to? This story is devouring me, crushing me, and I'm it's creator!
Retaliation is counter-poison and poison breeds more poison. The nectar of Love alone can destroy the poison of hate.
Lust is an immoderate wantonness of the flesh, a sweet poison, a cruel pestilence; a pernicious poison, which weakeneth the body of man, and effeminateth the strength of the heroic mind.
The difference between real material poison and intellectual poison is that most material poison is disgusting to the taste, but intellectual poison, which takes the form of cheap newspapers or bad books, can unfortunately sometimes be attractive.
Poison is in everything, and no thing is without poison. The dosage makes it either a poison or a remedy.
They abandon the Ambrosial Nectar and turn to poison, they earn poison, and poison is their only wealth.
A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on he is doomed and his soul has a price.
The ‘experimental’ writer, then, is simply following the story’s commands to the best of his human ability. The writer is not the story, the story is the story. See? Sometimes this is very hard to accept and sometimes too easy. On the one hand, there’s the writer who can’t face his fate: that the telling of a story has nothing at all to do with him; on the other hand, there’s the one who faces it too well: that the telling of the story has nothing at all to do with him
ROMEO There is thy gold, worse poison to men's souls, Doing more murders in this loathsome world, Than these poor compounds that thou mayst not sell. I sell thee poison; thou hast sold me none. Farewell: buy food, and get thyself in flesh. Come, cordial and not poison, go with me To Juliet's grave; for there must I use thee.
I wish people would call poisons poison. I don't mind people smoking marijuana, but they should admit it's a poison, and coffee's a poison, but the Americans lie so.
Margaret Meade is always running around saying that marijuana's just like bread and water! Well, bread and water are poison, and marijuana's a poison. Now, if you like poison, why shouldn't you have it? But don't try to pretend that it's innocuous.
I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
Love is poison. A sweet poison, yes, but it will kill you all the same.
New Orleans could wreck your liver and poison your blood. It could destroy you financially. It could shun you or embrace you, teach you tricks of the heart you thought Tennessee Williams was just kidding about. And in August it could break your spirit.
Remorse is as the heart in which it grows; If that be gentle, it drops balmy dews Of true repentance; but if proud and gloomy, It is the poison tree, that pierced to the inmost, Weeps only tears of poison.
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
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