A Quote by Haruki Murakami

Either I'm funny or the world's funny. I don't know which. The bottle and lid don't fit. It could be the bottle's fault or the lid's fault. In either case, there's no denying that the fit is bad.
Got no place to go, but there's a girl waitin' for me down in Mexico. She got a bottle of tequila, a bottle of gin, and if I bring a little music, I could fit right in.
Definitely that was a big part of my childhood: wanting to fit. As an immigrant, you talk funny, you look funny, you smell funny. I wanted to do nothing but fit in and talk English and sit with everybody else.
The only way I was going to be funny was if I was myself, and either you liked it, or you didn't. Either you got on my train, or you didn't. Freeing myself of this idea that I had to fit a certain mold was when I was able to be my funniest.
Being the way I used to be didn't really fit the family profile. I was always loved but if, say, Dad had an interesting business idea I'd be the last person he'd want to share it with in case I blew the lid on it.
The cat, having sat upon a hot stove lid, will not sit upon a hot stove lid again. Nor upon a cold stove lid.
I love the sound of a brand-new bottle of coke when you pry the lid off and it starts to fizz. Whenever I hear that sound, I think of roses, and of sitting together with someone you care about and of Romeo and Juliet waking up somewhere and saying to each other, weren't we jerks? And then having all that be over. That's what I think of when I hear the sound of a brand-new bottle of Coke being opened
He unscrewed the lid, set it on the dash, snorted from the bottle twice, banged the steering wheel, and said, 'You got to be ready to die every day - then you got a chance.'
I'm sorry," she says. I wheel around. "You know, you're a total know-it-all. And it's incredibly rude sometimes; I mean, you're not perfect either, and you act like it's my fault but it's not my fault for being quiet or your fault for being a know-it-all. It's not your problem or my problem; it's their problem. They're the demented ones, not us, so don't take it out on me, because the only thing that holds things together for me is having someone else on the Not Demented Team.
Either God is alive, in which case he'll deal with us as he sees fit. Or he is dead, in which case he was never alive, it being unlikely that he died of old age.
The bottle is where everything sad or mean or confusing can go. And the blues--it's like that bottle. But in the bottle there's a seed that you let grow. Even in the bottle it can grow big and green. It's full of all those feelings that are in there, but beautiful and growing too.
To the bottle! In infancy, the milk bottle; in our prime, the wine bottle; in our dotage, the pill bottle.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
If you put fleas in a shallow container they jump out. But if you put a lid on the container for just a short time, they hit the lid trying to escape and learn quickly not to jump so high. They give up their quest for freedom. After the lid is removed, the fleas remain imprisond by their own self policing. So it is with life. Most of us let our own fears or the impositions of others imprison us in a world of low expectations.
You either get the point of Africa or you don't. What draws me back year after year is that it's like seeing the world with the lid off.
When I was a kid, there was no distinction between a movie about old people or young people. It was either funny or not. It was either entertaining or not. It was either exciting or not. It was either thrilling or not.
You must speak the vision of your project in a way that convinces people to pay for it. If they won't pay for it, that is the artist's fault. It is my fault. It is your fault. It is not the executive's fault or the world's.
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