A Quote by Haruki Murakami
sometimes I think I've got this hard kernel in my heart, and nothing much can get inside it. I doubt if I can really love anybody.
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I think what I love most [about writing] is that feeling that you really nailed something. Sometimes with a line you feel that it really captured what it is that you had inside you and you got it out for a stranger to read, someone who may never love you or meet you, but he or she is going to get that experience from that line.
I just love cake, confetti cake, to be specific. It has little colored candies inside the cake, and then you get the confetti icing, which is really hard to find sometimes. It's really hard to explain to people, because it's not icing with sprinkles on top. It's icing that actually has candies inside of it. It's Funfetti icing.
The Ford Flex is a really, really cool car. You get inside and you have so much headroom and it's really comfortable to drive and it's real techy inside. You look at the screen and it's blue and you've got all kinds of controls. Everything is digital.
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Nothing you love is lost. Not really. Things, people—they always go away, sooner or later. You can’t hold them, any more than you can hold moonlight. But if they’ve touched you, if they’re inside you, then they’re still yours. The only things you ever really have are the ones you hold inside your heart.
We do get to do what we love. I think that's really special, and I think sometimes we get really caught up in the winning and the losing and rankings. And at the end of the day, we get to play a sport that we love for our jobs.
That was the sort of everyday love I had to learn to contend with: if you grow up with it, it's hard to think you'll ever match it. I used to think it was difficult for children of folks who really loved each other, hard to get out from under that skin because sometimes it's just so comfortable you don't want to have to develop your own.
It's hard to find people to trust in the record industry, always. It's an industry with a lot of bullshit. There's a lot of people who are in positions of power that really know nothing and care for nothing. So I think, yeah, you learn pretty early on that you've really got to trust yourself more than anybody else, and that nobody's going to care about what you do more than you.
...as an actor there`s nothing better than a great moody moment to play with nothing to say. It`s so much easier to do because you can really get inside your head.
I worked on 'Who Do You Love?' for, like, six months, really trying to, like - when I got it, I got it, but I was working on it for a minute cause I never had nothing to it. I couldn't get the flow or nothing. Then I just got it.
I think you've got to take the risks. There's no point playing it safe, because either you'll get bored or the audiences will get bored. Sometimes, you're going to make mistakes, and that's fine, but you have to take the risks. I think Pirates is one of the prime examples of that with Johnny Depp's performance, and part of the reason that people love it so much is that you watch it and go, "Gutsy, really gutsy!"
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I've been trying to immerse myself in the narratives of other people. I try to not isolate myself as much. It is really hard. People that are sensitive, you just feel too porous sometimes. There's this inertia that sets in, and it's hard to get out of bed. I think knowing that other people go through it is really reassuring.
I've lived this lifestyle as an artist and sometimes we get caught up in the fun, women and partying. But when you really sit back and think about it, it's not what fulfills you deep down inside and there's much more to experience in life than just that.
I love the game just as much as anybody else. But at the same time, I also understand that life is more than football, too. People might get that misconstrued sometimes, too, that I don't care because I'm not die-hard football, eat, sleep and drink it all day and all night.
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