A Quote by Haruki Murakami

We can, if we so choose, wander aimlessly over the continent of the arbitrary. Rootless as some winged seed blown about on a serendipitous spring breeze. — © Haruki Murakami
We can, if we so choose, wander aimlessly over the continent of the arbitrary. Rootless as some winged seed blown about on a serendipitous spring breeze.
They [anarchists] spring from a single seed, no matter the flowering of their ideas. The seed is liberty. And that is all it is. It is not a socialist seed. It is not a capitalist seed. It is not a mystical seed. It is not a determinist seed. It is simply a statement. We can be free. After that it’s all choice and chance.
But if i sit here and weep I'll be blown over by the slightest of breeze
Though I do not believe that a plant will spring up where no seed has been, I have great faith in a seed. Convince me that you have a seed there, and I am prepared to expect wonders.
Though I do not believe that a plant will spring up where no seed has been, I have great faith in a seed... Convince me that you have a seed there, and I am prepared to expect wonders.
It is better to follow out a plan consistently even if it isn't the best one than to play without a plan at all. The worst thing is to wander about aimlessly.
There are only two rules. One is E. M. Forster's guide to Alexandria; the best way to know Alexandria is to wander aimlessly. The second is from the Psalms; grin like a dog and run about through the city.
A beautiful woman without fixed principles may be likened to those fair but rootless flowers which float in streams, driven by every breeze.
Engineering serendipity is this idea that we can help people come across unexpected but helpful connections at a better than random rate. And in some ways it's based on trying to reassess this notion of serendipitous as lucky - to think of serendipitous as smart.
absence ... smothers into decay a rootless fancy but often nourishes the least seed of a true affection into full-flowering love.
The starting point and the ending point are nothing but two arbitrary choices. You make them as in soccer games, where they chose that it's 90 minutes, not less and not more. But the choices are the responsibility of the filmmaker. You have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
A new breeze is blowing, and a world refreshed by freedom seems reborn; for in man's heart, if not in fact, the day of the dictator is over. The totalitarian era is passing, its old ideas blown away like leaves from an ancient, lifeless tree.
Everyone has problems. It's how you choose to deal with them. Some people choose to be whiners some choose to be winners. Some choose to be victims some choose to be victors.
Flower god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children!
Life has puffed and blown itself into a summer day, and clouds and spring billow over the heavens as if calendars were a listing of mathematical errors.
When spring is here the sketcher begins to look over his equipment and relishes in anticipation the soothing hours he will spend in the open, warmed by the sun, fanned by the breeze, charmed by the manifold delights of nature.
Every deed has a seed. In other words, the deeds you choose to do in this lifetime create a seed for future generations.
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