A Quote by Haruki Murakami

I saw that she was crying. Before I knew it, I was kissing her. Others on the platform were staring at us, but I didn't care about such things anymore. We were alive, she and I. And all we had to think about was continuing to live.
You're telling me that you can raise the dead by simply summoning?" "Yes." "My God," she whispered, staring at me."What have they done?" Hearing her words and seeing her expression, I knew I'd just done something worse than raising the dead-- I'd confirmed her worst fears about us. In her eyes, I saw the same thing I saw when people looked at Derek. I saw fear. And I knew we were in trouble.
What I love about Gaga is her story, where she came from. Before she made it, before anyone knew who she was, I knew who she was and, to see her finally make it, I was so happy. If we were to work together that would be cool.
of all the unusual features of Stargirl, this struck me as the most remarkable. Bad things did not stick to her. Correction: her bad things did not stick to her. If we were hurt, if we were unhappy or otherwise victimized by life, she seemed to know about it, and to care, as soon as we did. But bad things falling on her -- unkind words, nasty stares, foot blisters -- she seemed unaware of. I never saw her look in a mirror, never heard her complain. All of her feelings, all of her attentions flowed outward. She had no ego.
She realized how many of her beliefs were either unrealistic or belonged to her deceased parents and her ex-husband. She also realized that her expectations for herself and others were sometimes too rigid. She was trying to live up to what everyone else said was best for her, which made her depressed and hard to be around at times. Once she changed her beliefs about herself and others, she began to smile more and enjoy life.
When I looked at [Fannie Lou] Hamer and that speech it seemed to me that she had to be the bravest woman ever, to come before that body and to assert her rights, when she knew that she was going lose that battle. But she did it anyway, because she knew she was speaking not just for herself and for that day, but for me, and for all the other young women who were coming behind her. She didn't know our names, but she was working for us. I find that incredibly empowering.
I think that one morning, the Papess woke in her tower, and her blankets were so warm, and the sun was so golden, she could not bear it. I think she woke, and dressed, and washed her face in cold water, and rubbed her shaven head. I think she walked among her sisters, and for the first time saw that they were so beautiful, and she loved them. I think she woke up one morning of all her mornings, and found that her heart was as white as a silkworm, and the sun was clear as glass on her brow, and she believed then that she could live, and hold peace in her hand like a pearl.
It's many things that she had to deal with, and she got to the point where [my wife] didn't know what to believe anymore and she just didn't care to live her life anymore. I think it was devastating at that particular time, and it's even more devastating today as we grow older.
But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?
She'd always known he loved her, it had been the one certainty above all others that had never changed, but she had never said the words aloud and she had never meant them quite this way before. She had said it to him, and she hardly knew what she had meant. They were terrifying words, words to encompass a world.
She loved the teachings of the Five Visions. Humility. Sacrifice. Seeing another's problems before your own. Yet she was beginning to think that she-- along with others-- had taken this belief too far, letting her desire to seem humble become a form of pride itself. She now saw that when her faith had become about clothing instead of people, it had taken a wrong turn.
No one worries about you like your mother, and when she is gone, the world seems unsafe, things that happen unwieldy. You cannot turn to her anymore, and it changes your life forever. There is no one on earth who knew you from the day you were born; who knew why you cried, or when you'd had enough food; who knew exactly what to say when you were hurting; and who encouraged you to grow a good heart. When that layer goes, whatever is left of your childhood goes with her.
And then he was kissing her, and she was struck by his nearness, his solidity, his smell. It was of the garden and the earth and the sun. When Cassandra opened her eyes, she realized she was crying. She wasn't sad, though, these were the tears of being found, of having come home after a long time away.
Sometimes when she told stories about the past her eyes would get teary from all the memories she had, but they weren't tears. She wasn't crying. They were just the memories, leaking out.
Her life was beginning to make sense again, although she couldn’t say she was enjoying it. But her mind was clear, and her heart was not constantly as heavy. Only when she thought about him. But she knew that in time, she’d survive it. She had done it before and would again. Eventually the heart repairs.
My mother hid the struggle from us children. She complained about her salary, and she had a tough time. Although she became a headmistress, she still had to do a lot of sewing. The more I think about her, the more remarkable I realise she was. And she understood straight away when I said that I wanted to write.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
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