A Quote by Haruki Murakami
It's a quiet place, so people talk quietly," said Naoko. She made a neat pile of fish bones at the edge of her plate and dabbed at her mouth with a handkerchief. "There's no need to raise your voice here. You don't have to convince anybody of anything, and you don't have to attract anyone's attention.
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I had dinner with Marlene Dietrich in the early 1970s. I went to pick her up and she had someone with her, a dreadful man. He was writing a book about her, and he said to her, 'You're so cold when you perform,' and she said, 'You didn't listen to the voice.' She said the difficulty was to place the voice with the face.
At the door , she made him promise to go without goodbyes .She closed the door on him . Laila leaned her back against it , shaking against his pounding fists , one arm gripping her belly and a hand across her mouth , as he spoke throughout the door and promised that he would come back for her . She stood there until he tired , until he gave up , and then she listened to his uneven footsteps until they faded , until all was quiet , save for the gunfire cracking in the hills and her own heart thudding in her belly , her eyes , her bones .
I'll just be your brother from now on." he said, looking at her with a hopeful expectation that she would be pleased, which made her want to scream that he was smashing her heart into pieces and he had to stop. "That's what you wanted, isn't it?" It took her a long time to answer, and when she did, her own voice sounded like an echo, coming from very far away. "Yes," she said, and she heard the rush of waves in her ears and her eyes stung as if from sand or salt spray. "That's what I wanted.
She didn't see him at first. She was watching the dancers. Her color was high, and there were deep dimples at the corners of her mouth. She looked nine miles out of place, but he had never loved her more. This was Willa on the edge of a smile.
Violet heard the coughing and came running back. She sank down on the bench beside Rose, putting her arm around the older girl and holding a handkerchief to Rose's lips. "What happened?" she asked Galen, her tone just shy of being accusatory. "I am so sorry, Your Highness," Galen said, backing away. "I made her laugh, and–" "You made her laugh?" Violet's eyes widened. "She hasn't laughed in weeks!" She smiled at Galen and gave Rose's shoulders a little squeeze.
I pu my finger to her lips. "You have to hush a minute so that I can tell you something." "What?" she says, bites my finger. I look at her. "I love you." She gets quiet, the kind of quiet that sinks into her, softens her. "Well that works out," she finally says, her voice deeper and breathless, her eyes moist, "because I love you too." She turns, leans against my arm, and settles into me.
He produced a handkerchief—crisply folded—and handed it to her. She took it with silent astonishment. She’d never before known anyone who carried a handkerchief.
She lay on her back and walked her fingers down her ribs, skipped them over her abdomen, and landed on her pelvic bones. She tapped them with her Knuckles. [. . .] I can hear my bones, she thought. Her fingers moved up from her pelvic bones to her waist. The elastic of her underpants barely touched the center of her abdomen. The bridge is almost finished, she thought. The elastic hung loosely around each thigh. More progress. She put her knees together and raised them in the air. No matter how tightly she pressed them together, her thighs did not touch.
There is a string attached to Maia Sharp's voice. And when she sings, you find that the other
end is attached to your gut. Her voice is lush and sensual and the emotions she articulates
resonate with the small feelings we have that sometimes are hard to face..there is an edge to
her songs, but also a softness...she is lyrical and conversational at the same time. Her CD was
the only one in my machine for a month. Her work inspires me to dig deeper.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
Hillary Clinton said that her childhood dream was to be an Olympic athlete. But she was not athletic enough. She said she wanted to be an astronaut, but at the time they didn't take women. She said she wanted to go into medicine, but hospitals made her woozy. Should she be telling people this story? I mean she's basically saying she wants to be president because she can't do anything else.
She had said she didn't feel fear, but it was a lie; this was her fear: being left alone. Because of one thing she was certain, and it was that she could never love, not like that. Trust a stranger with her flesh? The closeness, the quiet. She couldn't imagine it. Breathing someone else's breath as they breathed yours, touching someone, opening for them? The vulnerability of it made her flush. It would mean submission, letting down her guard, and she wouldn't. Ever. Just the thought made her feel small and weak as a child.
SHE is neither pink nor pale, And she never will be all mine; She learned her hands in a fairy-tale, And her mouth on a valentine. She has more hair than she needs; In the sun ’tis a woe to me! And her voice is a string of colored beads, Or steps leading into the sea. She loves me all that she can, And her ways to my ways resign; But she was not made for any man, And she never will be all mine.
By the care she lavishes on her toilet, by the concern she has for her beauty set off by her adornment, a woman regards herself as an object always trying to attract men's attention.
The next time she comes back, no matter what she says, listen to her well. If she cries, give her a handkerchief and wait until she's done crying. If she curses me, curse with her. And if by any chance she asks about me, tell her that I'm sorry.
And next to Allie, the screamer, once more reminded of his job, began to wail in Allie's ear. Reflexively Allie clapped her hand over his mouth. "That," she said, "is totally uncalled for. Don't do that again. Ever." The screamer looked at her with worried eyes. "Are we clear on this subject?" said Allie. The screamer nodded and she removed her hand. "Can I scream a little?" he asked. "No," said Allie. "Your screaming days are over." "Darn." And he was quiet thereafter.
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