A Quote by Haruki Murakami

The best point of my novels, I think, is their humor. I want to keep many my works humorous. — © Haruki Murakami
The best point of my novels, I think, is their humor. I want to keep many my works humorous.
I'm really interested in the link between creativity and humor because humor is a type of creativity, and I do think that humorous people and humorous health helps creativity.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I can remember the times when I started including humor in novels that were suspenseful. I was told you can't do that because you can't keep the audience in suspense if they're laughing. My attitude was, if the character has a sense of humor, then that makes the character more real because that's how we deal with the vicissitudes of life, we deal with it through humor.
If one tends to be a humorous person and you have a sense of humor the rest of your life then you can certainly lighten the load, I think, by bringing that to your trials and tribulations. It's easy to have a sense of humor when everything is going well.
Humor is really one of the hardest things to define, very hard. And it's very ambiguous. You have it or you don't. You can't attain it. There are terrible forms of professional humor, the humorists' humor. That can be awful. It depresses me because it is artificial. You can't always be humorous, but a professional humorist must. That is a sad phenomenon.
I Never Liked You. I think that's my best book. I think it works the best as a story, and I like the drawing. It works on both levels, for me at least.
I like the freedom of novels. With the memoirs, I always had to keep to the facts. I like that with novels, if I want to go off and write something quite dramatic or outrageous or something completely different, I can do it if I want to.
I think at its best the American sense of humor is the same as the British sense of humor at its best, which is to be wry and ironic and self deprecating.
In Pakistan, many of the young people read novels because in the novels, not just my novels but the novels of many other Pakistani writers, they encounter ideas, notions, ways of thinking about the world, thinking about their society that are different. And fiction functions in a countercultural way as it does in America and certainly as it did in the, you know, '60s.
My novels are very much the same, as I think many people's novels are.
I don’t like to make strong statements. I want to write strong novels … I keep my deep radical things for my novels.
I don't like to make strong statements. I want to write strong novels... I keep my deep, radical things for my novels.
It's often pointed out that in Cuban cinema there are too many comedies, but a sense of humor is so much part of the Cuban idiosyncrasy. Curiously, the films that have been censored the most have been humorous.
I think humor is used a lot of the time to keep people from getting too close. Humor side-steps and shifts the meaning.
When a joke works, it works. It can make a point in a really simple way; it can be a great little sound bite to put on television or share on social media. Humor has this incredible power in how we communicate about politics now, in part because there's something natural in the way it's communicated.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
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