A Quote by Haruki Murakami

My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves. — © Haruki Murakami
My heroes don't have anything special. They have something to tell other people but they don't know how, so they talk to themselves.
People cannot stand the saddest truth I know about the very nature of reading and writing imaginative literature, which is that poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. What I'm desperately trying to do is to get students to talk to themselves as though they are indeed themselves, and not someone else.
Do the other kids make fun of you? For how you talk?' 'Sometimes.' 'So why don't you do something about it? You could learn to talk differently, you know.' But this is my voice. How would you be able to tell when I was talking?
I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell
I think my books talk about kids learning to like and respect themselves and each other. You can't write a message book; you just tell the best story you know how to tell.
I've always wanted people to feel great about themselves, for people to know how special they are and really love themselves and accept themselves and celebrate themselves.
Why does the left hate free speech? Because they don't know how to talk about the substantive merits when they are challenged. Having submerged themselves in disciplining each other by denouncing any heretics in their midst, they find themselves overwhelmed and outnumbered in America, where there is vibrant debate about all sorts of things they don't know how to begin to talk about. They resort to stomping their feet and shouting "shut up"... when they aren't prissily imploring everyone to be "civil."
When I was growing up, there was nobody in my family - not even my mother - who I could look to and be like, 'I know you've never said anything homophobic.' So, you know, you worry about people in the business who you've heard talk that way. Some of my heroes coming up talk recklessly like that.
Pillow talk. It's how you know, it's how you tell, that something different, something special is happening: that this might even be the most important night of your life. Some day -some night- I hope you both may know it, with whoever it may be: the wish, stealing up on you, not to just merge bodies, but all you have, all your years, all your memories up to that point. And why should you wish to do that, if you haven't already guessed that your future too, will be shared?
When people, particularly young people and especially young men, can't imagine themselves as heroes in narratives that they construct for themselves, they look to be heroes in some other way. So young men in America of, let's say, Muslim background, only a tiny, tiny minority - so small as to be almost zero - are likely to ever commit terrorist acts.
I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, "Don't talk about it. Don't tell. Just go!" It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
I put a lot of weight in what I do, and you and I can talk to each other in a certain way because that's how people interact, but I don't really know how to talk to the entire world.
The only way to know everything is to learn how to think, how to ask questions, how to navigate the world. Students must learn how to teach themselves to use new tools, how to talk to unfamiliar people, and basically how to be brave.
He shrugged. "The same as any other. It's a way to make people feel better about themselves. Everyone likes feeling special. Being part of an elite group is a way to do that." "But you weren't part of it?" "No need. I already know I'm special.
Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do.
Often you find the character through the things they say. How they talk about other people, how they describe themselves - which is very rare.
I was lucky to have the right heroes. Tell me who your heroes are and I'll tell you how you'll turn out to be. The qualities of the one you admire are the traits that you, with a little practice, can make your own, and that, if practiced, will become habit forming.
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