A Quote by Harvey Dunn

A background can be painted in the same range of values as the foreground by reversing the light effect. In the shadow plane, paint the lights cool and the shadows warm, and in the sunlight plane, paint the lights warm and shadows cool.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Paint your picture by means of the lights. Lights define texture and color - shadows define form.
An optimist is a person who sees only the lights in the picture, whereas a pessimist sees only the shadows. An idealist, however, is one who sees the light and the shadows, but in addition sees something else: the possibility of changing the picture, of making the lights prevail over the shadows.
Shadows sometimes people don't see shadows. The Chinese of course never paint them in pictures, oriental art never deals with shadow. But I noticed these shadows and I knew it meant it was sunny.
... I was reminded of a remark of Willa Cather's, that you can't paint sunlight, you can only paint what it does with shadows on a wall. If you examine a life, as Socrates has been so tediously advising us to do for so many centuries, do you really examine a life, or do you examine the shadows it casts on other lives? Entity or relationships? Objective reality or the vanishing point of a multiple perspective exercise? Prism or the rainbows it refracts? And what if you're the wall? What if you never cast a shadow or rainbow of your own, but have only caught those cast by others?
The light of lights looks always on the motive, not the deed, the shadow of shadows on the deed alone.
There are many lights in the shadows and many shadows in the lights; lots of talents in the shades, lots of incompetents in the luminosities
Life is composed of lights and shadows, and we would be untruthful, insincere, and saccharine if we tried to pretend there were no shadows.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
For human words are like shadows, and shadows are incapable of explaining light and between shadow and light there is the opaque body from which words are born.
I could not paint at all if I had to paint slowly. Every effect is so transient, it must be rapidly painted.
I wanted to paint with shadows and capture what light would look like in clothes.
Light is important to us humans. It influences our moods, our perceptions, our energy levels. A face glimpsed among trees, dappled by the shadows and the green-tinged light reflected from the forest, will seem quite different to the same face seen on a beach in hard, dry, sunlight, or in a darkening room at twilight, with the shadows of a venetian blind striped across it like a convict’s uniform.
Long drawn, the cool, green shadows Steal o'er the lake's warm breast, And the ancient silence follows The burning sun to rest. The calm of a thousand summers, And dreams of countless Junes, Return when the lake-wind murmurs Through golden August noons.
When less than four years old I was standing with my nurse, Mary Ward, watching the shadows on the wall from branches of an elm behind which the moon had risen. I have never forgot those shadows and am often trying to paint them.
This life is a shadowy thing, lad. We live in a crowded space of lights and shadows, and when left to ourselves, we all too often fail to see the brightest light of all.
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