A Quote by Harvey Fierstein
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
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It may be a product of me being raised in episcopal church, but I have a love for ritual and theater and the significance of doing the exact same thing over and over. So I really love knowing every little thing I'm going to do during a show.
It is kind of tedious after a while, to parse politicians doing the same thing over and over again. The facts change from week to week, but the sort of masquerade doesn't.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
It's interesting to me because theater is, on any given day, 10,000 times harder than film and television. And that's not to say film or television can't be hard or challenging; it's emotional to do the same thing over and over and over. But in terms of stamina, there is nothing like an eight-show week to separate the men from the boys.
Honestly, as a director, at least for me, if I start doing the same thing over and over again, I'm going to get bored really quickly.
As a comedian, it really gelled when I started doing standup. Because standup is so much about bravery, especially in the early days. There is no doubt that it is going to go terribly for you over and over and over again. But you cannot get funny without bombing.
I know that the way to be a really successful writer is to write the same kind of book over and over again. Find the kind of thing that people like and just write one of those over and over again. I don't do that. I just keep doing different things.
It's funny, because it's like the fight when you watch it, it's probably going to be like five minutes, but it's taken us like a month to shoot it so I think what was really interesting was that instead of going through an entire fight sequence, you're doing one or two moves over and over and over, so I'd say it's less exhausting than actually training, because you're not really constantly going over the choreography, like the whole entire thing with everybody. You're just doing that one part that they need in the shot.
My hobbies are random. One week I want to exercise, one week I just want to eat all day. One week I'm going out every night and the next week I'm totally locked in my house, not going anywhere. I'm a little bit all over the place, socially. I don't have another passion or hobby - it's really music. I'm in the studio constantly.
Maybe we were all destined to just keep doing the same stupid things, over and over again, never really learning a single thing.
I don't really want to be doing high budget, where they've got cranes and everything. That just sounds boring, having to do the same thing over and over again.
I'm confident when I perform but going into a horrible, boring studio and playing the same thing over and over again is really different to being on stage!
I think actors, at a certain point in their careers, decide they're either going to keep taking risks or take the exact same risk over and over again so that it's not a risk anymore. That's when I don't want to work with them. I think there are some actors who are just doing the exact same thing, and they will never shift from it.
My first workout starts at 9:00 a.m. every morning. I'm in the gym from 9:00 a.m. to 11:00 a.m. We do strength conditioning, stretching, pretty intense workouts in the morning. We go back in the gym at 1:00 p.m. and train until 5:00 p.m. It's all routines, repetition, doing the same skills over and over again, trying to polish and perfect everything. I head home, eat dinner, spend some time with my wife and start over the next day. I train about six days per week.
We just sent some footage to ABC Primetime, who is doing a segment that alleges to tell our side of the story, and in that, a week before she became ill, there's Eliza Jane at her friend's birthday party, blowing, over and over again, a party horn - the one with the long, curly thing that sticks out when you blow it and retracts when you breathe in - over and over and over again...this child that, a few weeks later, would be said to have died of fatal pneumonia.
I was 21, and I was like, "Man, am I really gonna start over and try this whole thing over again? Do I want to start over and be in a rock band again and try to act like a 17-year-old for as long as I can?" Because that was what I was doing with Simon Dawes band. I decided that if I was going to go on playing music, I was going to try and work on it. So I got into Leonard Cohen and Will Oldham, guys that really inspired me not only as songwriters but also through their music as people, and that's kind of what the shift was for me.
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