A Quote by Harvey Martin

You stand still, somebody might get close to you. I don't stand still much anymore. — © Harvey Martin
You stand still, somebody might get close to you. I don't stand still much anymore.
Sometimes it seems to stand still. Like you’re in a bag and you can’t get out and somebody’s always telling you that it will get better with time and time just seems to stand still and laugh at you and your pain.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
All I can do is stand still- I feel like if I just stand still, I can stop it from being true, I can pretend that everything is all right.
Never stand still. Only stand still enough to learn, and once you stop learning in that stance, move off. Always keep yourself engaged, in theater, in whatever job you can get. If you can't get an acting job, then go backstage. Or take tickets. But be around actors because that is where you will primarily learn.
I couldn't stand it. I still can't stand it. I can't stand the way things are. I cannot tolerate this age.
In stand-up you can go either way. It's live. Somebody might say something in the crowd, you might respond to it. But in a movie you could be spontaneous too. But you pretty much have to stick to that story or that scene or that script, but in stand-up you can go wherever you want to. It's more freedom.
Maidens stand still, they are lovely statues and all admire them. Witches do not stand still. I was neither, but better that I err on the side of witchery, witchery that unlocks towers and empties ships.
So much of motion, is so much of life, and so much of joy, and to stand still, or get on but slowly, is death and the devil.
To stand on the firing parapet and expose yourself to danger; to stand and fight a thousand miles from home when you're all alone and outnumbered and probably beaten; to spit on your hands and lower the pike; to stand fast over the body of Leonidas the King; to be rear guard at Kunu-Ri; to stand and be still to the Birkenhead Drill; these are not rational acts. They are often merely necessary.
Christ: I dislike him very much. Still, I can stand him. What I cannot stand is the wretched band of people whose profession is to hoodwink us about him.
In the end . . . . . . . Stand where we feel led. Stand straight, stand tall, and try to remember that other folks might be led to stand elsewhere.
I'm just not a team sports guy. I can't rely on somebody else for victory. I can't stand if they fumble a ball. I can't stand if they move offsides. I can't stand not being in the game.
If you stand still in any city long enough, you see everyone pass you by. So you're in Chicago. If you stand on the corner of Belmont and Clark, and you do that for three years, you'll pretty much have seen everybody in Chicago pass that junction.
I think it's important for bands to rough it. Whether you're in a van or a bus, it's still tough. You still have to stand in a two hour catering line with flies everywhere in the heat, and you still have to lug your gear.
I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
Kids don't want stand-ins on parents' weekend, no matter how much they might love those stand-ins. They don't want stand-ins to talk to about their teachers and their upcoming history final and the latest computer program idea they've come up with.
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