A Quote by Harvey Mason, Jr.
With new artists, you really don't have anything to reference. You're helping to develop their sound, define who they are vocally.
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I've really enjoyed my time with New York City and I'd like to thank Patrick Vieira and his coaching staff for helping me to develop as a player.
I'm actually really bad at the Internet. I'm never scouring it to find new artists or new anything.
I would really love to collaborate with Gwen Stefani and M.I.A.; artists that kind of make sense with me vocally. And in terms of style, I'm a very visual artist. I really love Pharell. I love people that really care about drums, and I like beat-heavy.
The American people are beginning to think in new ways about health and illness . . . Bernie Siegel is helping to define and open up these new frontiers. In this sense he is in the best medical tradition.
Artists are creating their own genre sound, and other artists are building upon that sound and already creating a huge subculture created around one particular sound created by one artist. So, with all that happening, the genres are going to break down, and there's going to be a multitude of sound coming out.
A lot of new artists, especially girl artists, feel pressure to be so 'media perfect' and 'trained.' I'm intelligent, but I don't like hearing regurgitated answers in interviews that sound so rehearsed.
I don't know that I could really define love. I can't . . . again, it's like trying to define what this creative force is. It's beyond my ability to really define. If I can define it, then it's not it. We're right back to that thing again.
Democrats believed in "progressivism." They believed in Big Government. But they at least attached optimistic outcomes to it. They really believed they were helping America. They really believed they were helping families, helping people. Now they've just become, "The country's horrible, it's rotten, it needs to be reformed!" The liberals of John F. Kennedy's day did not think there was anything really major wrong with this country.
Many say that no real avant-garde - which I'll define as a combative group of free-thinking artists - can exist anymore. The media's reach is too vast. New artists and movements get snatched up too quickly.
It's interesting what a new song can do to the other songs. A new song can be the grout of the record, tie the songs together, and define a new room in the house, helping the other rooms make sense.
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
I think my masks reference artists who reference primitivism. They're not directly connected to tribal arts. I think they look more like third-grade art projects.
I'm really putting my life towards helping women to invest, and there's a circular reference here because if women can invest and give themselves the opportunity to earn higher returns, they can start those businesses. They can go to work with a little more confidence to ask for that promotion, to ask for the new assignment, etc.
As soon as you make anything that people like, you get all these new artists hitting you up like 'I want to sound just like Billie Eilish.' And I'm always like, 'Absolutely not.'
I think what we tried to do lyrically, vocally and musically was to capture a sound.
I'm not sure I'm going to be that type of artist but I do love cultural icons. Like Solange has been really great at that. Releasing her album end of last year and being really strong in their sound, bands like Little Dragon, artists like James Blake. You know their music when you hear them. They have a really particular sound and it's really cultural and people copy that sound. You hear it in other songs and you're like 'That's a James Blake tune'.
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