A Quote by Harvey Mason, Jr.
I've played with so many people that I never really noticed that I was playing with so many people until after it was compiled on the Internet. I just kept going. I haven't even heard half the records I've played on, to tell you the truth.
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I never played for records. If I had played for records, then I would have had many more runs against my name. If, by your performance, the team wins, then that is what is most gratifying.
It wasn't until after I became famous that people noticed I played in the NFL. I kind of snuck in!
I played at Sony, Warner Bros., Universal, Big Machine, Capitol... after I played every one of those places, everyone offered me a record deal. I was just like, 'Who am I? Why do I even deserve this?' There are people busting their butts on Broadway doing this hardcore, playing three hours a night for tips, and I didn't even ask for it.
We played a lot of live shows, we just kept plugging away and playing music and people kept coming back.
Playing Aung San Suu Kyi was a journey in itself. She represents many things for many people and for many reasons. Although I have played many important roles in my life, I can say that this role has been a journey of self-realisation.
By the latter part of high school, by the middle of junior year in high school, Jay Rodriguez played me some Irakere records that that Paquito [D'Rivera] was on. And he also played me and our friend, Curtis Haywood, some Phil Woods records. And when I heard Phil, I just about lost my mind. I was playing the Charlie Parker Omnibook as part of my lessons. This was the '80s. There was no YouTube and all that. And we had three or four jazz records at that point.
I think my first impression (of Bix Beiderbecke) was the lasting one. I remember very clearly thinking, 'Where, what planet, did this guy come from? Is he from outer space?' I'd never heard anything like the way he played-not in Chicago, no place. The tone-he had this wonderful, ringing cornet tone. He could have played in a symphony orchestra with that tone. But also the intervals he played, the figures-whatever the hell he did. There was a refinement about his playing. You know, in those days I played a little trumpet, and I could play all the solos from his records, by heart.
I've played so many gigs in front of around seven people. It's difficult to keep motivated, but it's all about growth. The love of music kept me going.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
I'd say three years ago we played in my hometown of San Antonio for 55,000 people at the Alamodome and walking out there with a crowd like that is just, you're excited, you're scared. There are just so many emotions going on. I still get nervous for things like that until after I sing about the first one or two songs, then I settle down.
People make their life really hard. It was as simple as this: My parents went to church. My grandfather was a bishop. My mom sang in the choir, my dad played the keyboard, and my uncle played the drums. I was into playing the drums, so I played the drums a lot for my uncle, and it got to the point where I was pretty nice at playing the drums. And he let me play every Sunday so, to me, going to church was fun.
No matter how much you may want to think of Holdém as a card game played by people, in many respects it is even more valid to think of it as a game about people that happens to be played with cards.
Have I learned something from making records? Yeah, I've learned a lot, because I've not only made eleven of my own records, I've also probably produced that many records for other artists, and then I've probably played on, or been a large part of another eleven records with other people.
I've learned that, in many cases, people say, 'I want ground truth,' and they don't really mean it. There are warts all over this organization, as there are in many organizations, but you just have to tell truth to power and let the chips fall where they may.
I was a man who played basketball and after I played basketball and before I played basketball I was going to be a psychologist, whereas most people who play their occupation is their definition - and then when they stop doing who they are, they become nothing.
People need to know that when I was interviewed when I played, I would really pat myself on the back when I did well and tell you how good I was playing, but I'd also tell you when I choked or I was playing terrible. I told it like it was.
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