A Quote by Harvey Pekar
I'm sure someone out there has a workable solution. But what do I know? I make comic books and write about jazz. I do know the difference between right and wrong, though.
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I know the difference between right and wrong, and I can tell good from bad. But I also know that the more difficult decisions come when we have to choose between good and better. The toughest calls of all are those we have to make between bad and worse.
Once you know the difference between right and wrong, you have lots fewer decisions to make.
Make sure you comfort everybody, because you have so much power. The influence you do have, make sure you use that for the right things that's going to propel you, and propel your company. It's not always about making profit. I know y'all know how to make profit, and I know that's what it's about! But I'm very happy that I can come here and tell you I'm someone that has not been driven by the profit. You can succeed with the people.
The real voice is stiller and smaller and seems to know, without confusion, the difference between right and wrong and the subtle delineation between the beautiful and profane. It's not an agitated voice, but ever patient as though it approves a million false starts. The voice I am talking about is a deep water of calming wisdom.
That's the difference between a great comic and a bad comic - one has great instincts and has a lot of compassion and can feel what's right and what's wrong.
I hate that rule that says write about what you know, it leads to too many British novels about marriages going slightly wrong. Write about what you don't know, just act as though you do.
There's a grown-upness about television now that wasn't there before. You do know you're doing stuff for adults who can tell the difference between right and wrong, well hopefully, and make judgements about violence. And with 'Peaky,' always if there is an act of violence, there is a consequence.
You can write songs about your comic books and the girl or boy you sort of know and your mom and dad and it's all right there in front of you.
Remember this: When you cross my doorstep, you have already been raised. With what you have learned...you know the difference between right and wrong. Do right. Don't anybody raise you from the way you have been raised. Know you will have to make adaptations, in love, in relationships, in friends, in society, in work, but don't let anybody change your mind.
Mothers know the difference between a broth and a consommé. And the difference between damask and chintz. And the difference between vinyl and Naugahyde. And the difference between a house and a home. And the difference between a romantic and a stalker. And the difference between a rock and a hard place.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
I know one thing you don't. I know the difference between Right and Wrong. They didn't teach you that at school.' Rose didn't answer; the woman was quite right: the two words meant nothing to her. Their taste was extinguished by stronger foods--Good and Evil.
I was never afraid to step out and make a decision. It might have been the wrong decision. I'm not afraid to tell somebody if I think they're wrong, as long as I know that I'm right. I would always try to make sure that I was right and then I'd voice my opinion.
I certainly know the difference between right and wrong.
I think as soon as I figured out - and this must have been incredibly young - that comic books were made by humans, rather than being natural phenomenon likes trees or rocks, I just wanted to be one of the people who did that. So I was copying all kinds of cartoons that I was reading, comic books, and eventually learned how to draw cartoon books step-by-step and just, I don't know, I'm not an especially quick learner, but I sure was a dedicated one.
I was raised to understand and know the difference between right and wrong.
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