A Quote by Harvey Pekar

I'm always shook up and nervous and I've got the hospital record to prove it. — © Harvey Pekar
I'm always shook up and nervous and I've got the hospital record to prove it.
It annoys me that the burden of proof is on us. It should be "You came up with the idea. Why do you believe it?" I could tell you I've got superpowers. But I can't go up to people saying "Prove I can't fly." They'd go: "What do you mean 'Prove you can't fly'? Prove you can!"
I always got nervous the nights we played in the World Series. First pitch, I was nervous. Then after that, forget it; I'd start playing.
I was very blessed with a good body. Never got hurt. Never was in the hospital. The only time I was in the hospital was when I would get exhausted a little bit, and go in for a check-up or something.
Sometimes I just experiment quite a lot. I've always got my computer set up to record so I'll just record a sort of library of ideas [that] I'll either come back to or use as they stand.
Basically, I was a little bit nervous before competing beam at the Olympics, and I had this nervous thing to just talk to myself, like 'You can do it, you can do it.' And right before I hopped up there, I said, 'I got this.'
I was loud and electric at night, got all shook up with Elvis.
When I was around eleven or twelve, my board got hung up on the top of a bowl, and I got a concussion, and I knocked my teeth out. That was the first time that I got seriously injured, and I was taken to the hospital in an ambulance, and my parents briefly doubted.
If I'm the weak link or whatever, I guess that means I've got something to prove. I've always had something to prove.
He's just very deceiving. He just covers a lot of ground with ease. I got to the three-eighths pole, and I even got a little concerned because he was so relaxed. I wasn't sure if he was going to fire, but I didn't want to test him that early. As soon as I got to the top of the stretch I shook him up and got an immediate response. In the stretch, once I knew he wasn't going to get beat, I put my hands down and he eased himself up. He's a real smart horse and he's got a great attitude.
I've never had a relationship with a record executive. I always went to the record company by someone that liked my playing. Then they would get fired, and I'd be left with the record company. And then - because they got fired - the record company wouldn't do anything for me.
When I got Jacob's Latter, I was nervous because I felt I wasn't allowed to fail. I felt that they were waiting for one little failure and that would prove them right and I'd be, 'out of there.'
I shook hands with a friendly Arab. I still have my right arm to prove it.
I got really, really sick with a spinal infection that put me in a hospital for a couple of months, and it was touch and go. I had my guitar with me, and as soon as I got well enough to play, there was nothing else to do in that hospital. The nurses would come in and request songs.
I always said, if I got a record deal, I'd want to record the best songs I could, whether I wrote them or not.
When I was thirteen, I had a nervous breakdown, and I was put into this grown-up mental hospital with all these 50-, 60-year-old men and women. This big, Victorian mental house. There were like five boys in there, all my age, looked after by this woman who was 22 or 23. And it was like "Empire of the Sun" meets "One Flew Over the Cuckoo's Nest"-type of arrangement where you've got this young boy overcoming and becoming heroic in the face of this awful place.
My dad was a doctor, but he was just always, like, going from hospital to hospital for some reason.
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