A Quote by Harvey Pekar
It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing.
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It seemed to me you could do anything in comics. So I started doing my thing, which is mainly influenced by novelists, stand-up comedians, that sort of thing
I was influenced by a lot of stand-up comedians... Eddie Murphy back when he was doing 'Raw.' I watched that so many times as a kid, I can probably still quote the entire thing to this day. Chris Rock. Dave Chappelle. George Carlin. A lot of the guys who were sort of edgy for their time.
I had thought comics could only be one thing, and that was what mainstream comics were selling us. And the undergrounders proved anything you had in your head, as long as you had the skill to put it down on paper, was fair game. And I started filling sketchbooks with my own comics.
Stand-up on the telly is one thing, but seeing it live is something else. There are brilliant comedians playing to rooms above pubs and arts centres around the corner from where you live. And anything could happen at a live gig.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
When I was in high school, my parents had this power over me - if I ever lied or got caught doing something that I shouldn't be doing, then I would no longer be able to go to LA and continue to pursue the acting thing. So that was this sort of looming thing they could had over me that just sort of really kept me in check throughout those formative years where you would typically be lying and doing bad stuff.
One thing I hate in ethnic comedy is giving the audience the opportunity to laugh in a racist way at a thing. A lot of times dwarf comedians will do that, Arab comics, and gay comics will do it; everyone is laughing, but they're not laughing at the joke, they're laughing at this crazy character.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
The lovely thing about writing comics for so many years is that comics is a medium that is mistaken for a genre. It's not that there are not genres within comics, but because comics tend to be regarded as a genre in itself, content becomes secondary; as long as I was doing a comic, people would pick it up.
"Mine ain't a selfish affection, you know," said Mr. Toots, in the confidence engendered by his having been a witness of the Captain's tenderness. "It's the sort of thing with me, Captain Gills, that if I could be run over - or - or trampled upon - or - or thrown off a very high place -or anything of that sort - for Miss Dombey's sake, it would be the most delightful thing that could happen to me."
I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And... it had comics in it! And they weren't superhero comics.
I'll be doing stand-up for the rest of my life. The opportunities that it grants you can't be denied. Stand-up is both the hardest thing I do and the thing I enjoy most.
I was a terribly quiet, shy child. The comedy thing came when I was at university and I started doing stand-up, which I think was a belated compensation for all that time I spent hiding behind the couch.
I couldn't even speak in front of a group of students when I was in high school. I could barely do that sort of thing. But once I started doing the "YES!" chant down to the ring and people would do it with me, it allowed me to feel more comfortable.
When they first start doing comedy, new comics or even people that have only been doing it three or four years, they're doing an impersonation of a stand-up. This is what I think a stand-up should sound like.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
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