A Quote by Harvey Weinstein

I think audiences can deal with these mature themes. — © Harvey Weinstein
I think audiences can deal with these mature themes.
I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.
I think comedy and satire are the strongest ways to deal with very serious themes and very painful themes.
There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.
I think the audiences abroad are older and come from a more mature society. They have a different understanding of whats happening as art.
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
In the olden days films used to become huge hits because of family audiences. But nowadays certain films cater to youth audience and once that is exploited then the film stops. and some films are for a mature audience. My aim is to satisfy all the sections of the audiences.
I think so many of the themes from the natural world mimic emotional themes in our lives.
I think what 'The Hobbit' and Middle-earth deal in are quite universal and timeless themes of honour and love and friendship... so they're things that do resonate with people.
I think there's a really mature side of me that can deal with problems - but when I'm with my friends, I get to act much more kidlike.
Nothing goes on forever. I think that's one of the illusions of life. When I talk about my life being an extension of my dreams and fantasies, there's a tendency to think of them as immature. I live in a mature world. The majority of the people in this society live with delusions and illusions much more irrational and hurtful than mine. They deal with mortality, with fantasies relating to heaven and hell, and they don't really deal with their problems at all.
What I think of as 'freakonomics' is mostly storytelling around an idea - not a theme but an idea. I like ideas much more than themes. Themes are boring. Themes are, 'Wool is back,' but ideas are, 'Why is wool back?'
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
That is life: you have to deal with things, and it's up to you how you deal with things. That's what makes you mature or not. If you can get the best out of yourself, that's all that matters. If you do that, nobody is arguing.
I get the feeling that audiences have become mature and they understand that not every character is in black or white. There can be grey shades to it.
TV can reach broad audiences, mass audiences, niche audiences; it can be local, regional, national; it can be spots, sponsorship, interactive. It can be anything you want it to be. I tend to think of TV as the Swiss Army knife of media, it's got something for everybody.
I am more mature now and know how to deal with certain situations in football. It's not all about highs; there are also lows, but I can deal with it. Football is a hard business.
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