A Quote by Hasan Minhaj
Comedy is very disarming. It's a way to talk about things and still be light-hearted. And when it's done really well, you never see the strings, whereas when you watch an infomercial or a politician speaking, a lot of times you can see the strings, you can see what agenda they're trying to push.
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The main thing is to have strings to your bow. You get your badges, you see where life is, and then you see what things come your way, if any.
I don't see things the way my parents do. They can look at a tree and see something amazing, whereas I just see a tree. That's not to say I don't appreciate its beauty. When I watch the sea in somewhere like Sardinia, I see the beauty in that.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
You get born and you try this and you don't know why, only you keep on trying it and you are born at the same time with a lot of other people, all mixed up with them, like trying to, having to, move your arms and legs with strings, only the same strings are hitched to all the other arms and legs and the others all trying and they don't know why either except that the strings are all in one another's way.
When you talk about the mental health problems, when people come back from war and combat and they see things that maybe a lot of the folks in this room have seen many times over and you're strong and you can handle it. But a lot of people can't handle it. And they see horror stories. They see events that you couldn't see in a movie, nobody would believe it.
My eyesight is not good. You guys will see, in games you'll watch, I will have times where I don't see the catcher very well, especially in low-light conditions. I can get to about 20/40. That's about as good as they can get me with the stigmatisms and stuff I have going on.
You have to understand that the bass guitar is the party instrument. It only has four strings. If you see a bass player playing five strings, take your shoe off and throw it at him.
Comedy is a very delicate business, especially comedies that sort of attempt to do things in an honest way and in a very naturalistic way the way that 'No Strings Attached' is.
Strings of gravity vibrate at a different frequency than strings of light.
The lute I use has 10 courses and 19 strings, which is quite a lot of strings and a quite different fingerboard width from a classical guitar. I use a combination of flesh and nail when plucking the strings.
The thing is, I never see my characters as psychopaths. I see them as really crippled victims who just happen to do bad things. And I never see them as bad guys; I see them as darker characters. I never see anything as good or bad; it's more light or dark, and the in-between is the grey.
The Metropole Orchestra is like Count Basie or Duke Ellington with strings... it's strings that swing. Strings that swing like Dizzy Gillespie... keep swinging, baby. And when you have all of that special excellence of the Metropole Orchestra, then your music just flies - it soars in a way that's really magical.
It's true; once you are a father, there's no turning back. Your heart strings as well as your purse strings are never again the same.
I've always cared about my personal style and the way people perceive me. I know a lot of times people don't get the opportunity to talk to me, so they're just going to see what I wear, see how I'm dressed, see how I present myself.
I remember hearing my mom saying so many times we should never have left Korea. She would see the way that I was growing up and the fact that I was speaking English and not speaking Korean as well, and she would fear the things that we were forgetting.
There's a great joy in writing about a place you know very well, but there's also a lot of responsibility in trying to be accurate. It's a lot like writing about a relative: you can see both their strengths and their shortcomings, and even as you want to be honest, you want people to see the good that's there as well.
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