A Quote by Hattie McDaniel
In playing the part of Mammy, I tried to make her a living, breathing character, the way she appeared to me in the book
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In playing the part of Mammy, I tried to make her a living, breathing character, the way she appeared to me in the book.
I think Skeeter even says that when she calls up Miss Stein. "No one asked Mammy how she feels in Gone With The Wind." Mammy wasn't really much of a fleshed-out character. She was just kind of there to take care of Miss Scarlett.
Laila remembered Mammy telling Babi once that she had married a man who had no convictions. Mammy didn't understand. She didn't understand that if she looked into a mirror, she would find the one unfailing conviction of his life looking right back at her.
She would never leave her mark on Mammy's heart the way her brothers had, because Mammy's heart was like a pallid beach where Laila's footprints would forever wash away beneath the waves of sorrow that swelled and crashed, swelled and crashed.
Pearl rolled a tiny pink speck in her fingers, possibly part of Rose's new leg that I'd tried so hard to make a good match. Pearl laughed and flicked it away as if it was snot out of her nose. I suddenly couldn't stand it. I rushed at her.She saw I wasn't playing around. She ran for it but I caught up with her along the landing. I punched her hard in the chest and she staggered back wards - back and back, and then she wobbled and went right over, down the stairs.
I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.
What I really tried to do with Helen was make her show this sad side of her. She was married off at 16, was so young and living in this castle that can't leave because of how she looks, and married to a man she hates and three times her age.
The casting director on the movie made me aware of her. She told me what to watch Starter For Ten, which I did and thought she was great in. She was just so charming and beautiful. But I felt she could probably look plain if we tried. And when I subsequently met with her, I was so charmed by her vulnerability and sweetness. Those were two qualities that were the most important for that character.
There's so much with my character in Dredd that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
Everyone knows how we white people feel, the glorified Mammy figure who dedicates her whole life to a white family. Margaret Mitchell covered that. But no one ever asked Mammy how she felt about it.
I believe I never finished playing Sherry Palmer, that's why when the thought they shot and killed me, Penny's butt kept breathing on the floor, because I believe that she never died. I just feel like that's a character that I would want to play to feel a completion, because I never really completed playing her.
O let me lead her gently o'er the brook, Watch her half-smiling lips and downward look; O let me for one moment touch her wrist; Let me one moment to her breathing list; And as she leaves me, may she often turn Her fair eyes looking through her locks auburne.
Eventually she came. She appeared suddenly, exactly like she'd done that day- she stepped into the sunshine, she jumped, she laughed and threw her head back, so her long ponytail nearly grazed the waistband of her jeans. After that, I couldn't think about anything else. The mole on the inside of her right elbow, like a dark blot of ink. The way she ripped her nails to shreds when she was nervous. Her eyes, deep as a promise. Her stomach, pale and soft and gorgeous, and the tiny dark cavity of her belly button. I nearly went crazy.
Playing Frida was hard and wonderful. I found such a force in her, bigger than me. I tried to make it just a woman who had to do what she did. A woman who lived, ate, and laughed. I tried to avoid the 'icon' of Frida Khalo.
I tried to breathe, failing. I clutched her to me, tears slipping from under my closed eyes. It was as if her soul was liquid fire and I could feel her aura, swirling about mine. She was taking my aura. But I wanted to give it to her, to cat her in a small part of me and protect her. Her needs made her so fragile.
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