A Quote by Hayden Christensen

Everyone has their own approach to how they work. — © Hayden Christensen
Everyone has their own approach to how they work.
People often assume that the same approach will work for everyone, that the same habits will work for everyone, and that everyone has the same aptitude and appetite for forming habits, but from my observation, that's not true.
I approach my work still like an athlete. I have to go to the gym and run or ride the bike and work up a sweat. I need to still get my body right, and, in turn, that will make my mind right. That's how I approach acting.
Will [Smith] is not like preachy. He's more like lead by example. There's two ways to approach Will. You can follow or you can watch and learn, and I just kind of watched him and learned how he dealt with people, how he dealt with life and how he approaches his own work.
I get to work with a lot of great musicians - many I wouldn't have expected to work with - and see how they form their lives around their music and how they approach it.
It's really important to find a humble approach to your own creative work, your own business work. To recognize that you can't do everything yourself.
People with a high level of personal mastery are able to consistently realize the results that matter most deeply to them-in effect, they approach their life as an artist would approach a work of art. The do that by becoming committed to their own lifelong learning.
I also want the chance to work with some of the best actors in the business, because that's where you can learn so much by just being on a set and getting a feel for how they approach their role and how they work with you
I also want the chance to work with some of the best actors in the business, because that's where you can learn so much by just being on a set and getting a feel for how they approach their role and how they work with you.
I struggle sometimes superficially with my management or with my own career about how much time I spend traveling or giving myself away to promote my music or myself when I'd rather be gardening or surfing or being at home with my loved ones. And everyone struggles with that; everyone struggles with having to go to work. And I struggle with how humankind ended up this way.
My teachers believe that the creative producer's job is to service the vision of the director, to stay within schedule and budget, and to get the studio what they need, but you work for the director to get their vision on the screen. That's not how everyone approaches producing, but it is certainly how directors like you to approach producing. How I was brought up is that my job is to help you make the movie you want to make.
Constraints inspire us in how we approach the press, how we approach business relationships, how we do everything.
I want people with epilepsy to know that there are ways in which they can play a role in their own recovery. It's all in how they approach what is happening and how they can use that as a catalyst for their own growth. If there's one thing that I've learned, it's that people are willing to embrace you if you share your story.
Honestly, I wish I'd known just how hard it is and how competitive the acting world is. I took my time; I went at my own pace. That's been helpful over the years, but also, I didn't quite realize how incredible everyone else was going to be: the level of competition and everyone's skill.
My career is the sum of the decisions I have made. Everyone can work hard, but I work on my own terms. I stand my ground, and once I have committed to anything, I give my 150 per cent. I don't take my work for granted, ever. I know that, forget me, no matter where anyone is, everyone is dispensable. Why would I think I am indispensable then?
It was a lot of hard work, but everyone loved my Amy Childs' Collection, so I decided to have a boutique as well as my salon. I love designing my own dresses, and everyone is loving the collection. I can't believe how well the boutique and the clothing online is going.
In my mind, I work out situations. Like, how I should play if I bat for four overs, or how should I approach myself if its 10 overs. These are things I work at the nets.
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