A Quote by Hayley Atwell

I think it's always easier to play parts that you have something concrete that you can relate to. — © Hayley Atwell
I think it's always easier to play parts that you have something concrete that you can relate to.
What I think I do is to relate any new material to how similar it is to something else. The closest that I can come up with something that's already in my experience, the easier it becomes. All I have to do then is remember where it differs, like relating a chord sequence that comes from some other tune, or several different tunes, or maybe parts of them and then work it from there.
You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
Most people are excited about themselves. Personal genome will deliver for inexpensively something about science to which you can relate. Just like computers are becoming something to which you can relate. It should be even easier to relate to your own biology, and I hope that will be one of the ways we get broader literacy in science.
I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
Human beings do not relate to written words in the same way that they will relate to spoken words. They do not relate to music in the same way that they do to pictures. It's all different parts of our head, different parts of our minds processing this.
If you think about the great religions that have united large parts of humankind, people believe gods are very concrete - there is an angry old man in the sky, and if I do something wrong, he will punish me.
I think every actor wants to play those big parts. In the very first play I ever did, I remember understanding all the characters in it. I always felt I could play anyone.
I'm just naturally gravitating towards different things. As you mature, different subject matters. And as you're older, you can't play as many parts, or you shouldn't be playing the parts that you used to play. But also there's the opportunity to play parts that you couldn't have.
I've always been fascinated by dialects and accents. In fact, I've rarely played straight English parts. I play character parts - and always will.
I'll always be figuring out what parts I want to play, because I want to play all parts. I'm a very hungry actress.
I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal.
I just always want to play people. I don't want it to be necessarily that you relate to the character as female or male, but that you relate to them as a person. That's the driving force.
I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
It is easier to compare concrete things in a fictional story with concrete things in real life than it is to compare abstractions with concrete things in real life (though both are honorable and necessary things to do).
I don't play long parts. They must be short parts, but they've got to be parts that mean something, that matter, where people will notice when I'm on the screen, and people will remember the character after they've seen the film.
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