When you drop your guard in films, the acting process compensates. You get lazy and you start acting.
You know, to an extent, Method acting feels occasionally lazy.
Acting is easier - writing is more creative. The lazy man vies with the industrious.
The artist of today is more than an improved camera, he is more complex, richer, and wider. He is a creature on the earth and a creature within the whole, that is, a creature on a star among stars.
If you have given up your heart ... you have already lost. A heartless creature is a loveless creature, and a loveless creature is a beast.
Paraphrased: Among the degrees of the universal Manifestation, each sentient creature typically experiences an illusory sense of autonomy. At the same time, with or without the creature's awareness, the creature subsists eternally as an "immutable prototype" in the divine Knowledge.
When a creature is exposed to violence, it will tend to adapt to that disturbance, so that when the violence ceases or the creature is allowed its freedom, the healthy instinct to flee is hugely diminished, and the creature stays put instead.
I am an act of kneading, of uniting and joining that not only has produced both a creature of darkness and a creature of light, but also a creature that questions the definitions of light and dark and gives them new meanings.
In my acting, I have tried to do this - to present to audiences a living creature in whom they can recognise themselves or someone they know.
I realized that acting was something I wasn't going to be lazy about. You feel good when you do it well. It is something that can grow in you.
Okay, I'm lazy. But being lazy is a talent. Sometimes it takes an awful lot of work.
I have come to this conclusion: if 'sentimentality' is lazy emotion, then the term itself is lazy criticism.
I'm lazy. But it's the lazy people who invented the wheel and the bicycle because they didn't like walking or carrying things.
The oneness of the universe, and the oneness of each element of the universe, repeat themselves to the crack of doom in the creative advance from creature to creature, each creature including in itself the whole of history and exemplifying the self-identity of things and their mutual diversities.
Men are basically smart or dumb and lazy or ambitious. The dumb and ambitious ones are dangerous and I get rid of them. The dumb and lazy ones I give mundane duties. The smart ambitious ones I put on my staff. The smart and lazy ones I make my commanders.
I've written five books, a book every three years. I'm fairly lazy and it doesn't take that much...people who are not lazy are Isaac Asimov.