A Quote by Hayley Mills
I have a horror of being in confined spaces.
Related Quotes
I have a horror of being in confined spaces. Potholing is my idea of hell.
Air travel is the safest form of travel aside from walking; even then, the chances of being hit by a public bus at 30,000 feet are remarkably slim. I also have no problem with confined spaces. Or heights. What I am afraid of is speed.
Everybody who works under any system feels confined. It is a natural reaction. You are confined to a certain extent. You are confined if you work in a bank, if you paint. You are confined, in a sense, to your art - the enclosure of your mind. Everybody should break out.
My A-number one visceral fear is speed. More than knives or snakes or confined spaces. Speed. I won't even go on a motor boat if I can help it.
You think you can drive accurately in confined spaces until someone puts something like a shipping container in the way and you suddenly think: 'I'm going to hit that.'
I don't like being pigeonholed at all. It stemmed from after 'Mandy Lane': I was being offered all these horror movies. I love horror movies, but when I dreamed of being a director, it was always doing all sorts of things.
Growing up devouring horror comics and novels, and being inspired to become a writer because of horror novels, movies, and comic books, I always knew I was going to write a horror novel.
I wouldn’t go anywhere in confined spaces now. When one person sneezes it goes all the way through the aircraft. That’s me. I would not be, at this point, if they had another way of transportation, suggesting they ride the subway.
In New York, we're always confined with spaces. Our restaurants are difficult to navigate as cooks and to operate. We fight against the buildings we run in New York.
There's no objective reason anyone can point to that proves a horror story is innately inferior or that it's doomed to fail as a work of art because of it being horror. Anyone saying otherwise is being intellectually dishonest.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
It was never just about painting everything white, I set out to create comfortable spaces - visually comfortable spaces. My mind always feels a little scrambled, so being in simple rooms helps me to think straight.
In New York there's a lot of interstitial spaces; spaces in between spaces, where you're changing, and New York gives you the anonymity to be who you want to be.
Web publishing can create common spaces; it all depends on how we, the readers and sometimes the producers, react to technological change. If we sort ourselves into narrow groups, common spaces will be in big trouble. But there's no reason not to have common spaces on the Internet. There are lots of them out there.
I do think that we have this incredible opportunity because being on-line - the Internet is a relatively new space - we do have this incredible opportunity to change that dynamic, to make sure that women are present in all sorts of spaces, not just women-only spaces.
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