A Quote by Hazel Keech

I love performances that move me, like Waheeda Rehman in any of her roles. — © Hazel Keech
I love performances that move me, like Waheeda Rehman in any of her roles.
The one actress I can look at and say she could be the next Waheeda Rehman is Vidya Balan.
I grew up on a staple of films where I saw actors like Waheeda Rehman, Smita Patil, Shabana Azmi, Madhuri Dixit, Sridevi playing very powerful parts in films.
Selena is my angel. She is my biggest inspiration. Being from San Antonio, Texas, I really feel that connection to her because she had a lot of performances and a lot of her most iconic performances in San Antonio. Back in my hometown, we love her. We all, as a community, celebrate her and adore her. We keep her memory alive.
I'd love to be remembered as a character actor who brought illumination to roles in wonderful plays and who delivered performances that made people think and rethink those roles.
Pristine vulnerability is just so boring to me. The performances that I love are ones like Gena Rowland's in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
The performances that I love are ones like Gena Rowlands in 'A Woman Under the Influence,' where women are allowed to be messy and imperfect. It's that kind of woman that has always inspired me to seek roles that are a little out of the box. I just haven't always had the opportunity to do them.
Whenever any argument comes up, you remind her, "You cheated on me." Your relationship has no chance. You agreed to set it aside. You accepted that it happened and you accepted her explanation and you agreed to move forward, but then as you move forward, you continue to lay that off on her, and you never let her forget. Your marriage doesn't have a chance, if you don't let it go.
All of her heart, a meaningless phrase, but correct and precise, too. She used her heart to love him, not her head, and not her words and not her thoughts or ideas or feelings or any other vehicle or object or device people use to deliver love or love-like things.
I'm pretty obsessed with Stevie Nicks from her style to her voice. I like watching her on YouTube and her old performances, the way she moves and everything.
When I first started working on movies as a production assistant, we were shooting 65, 75, 85 days. I mean, granted some of those things were "Godzilla," "Deep Impact," and those kinds of things, but these days it's like 30-35 days or 40-45 days and you just feel like you're humping trying to get everything done. It's like "Move on, move on, move on!" That's not the way to get the best performances or the most interesting shots. You have to constantly balance schedule and quality of work. For me, that's the biggest thing.
If a man loves a woman for her beauty, does he love her? No; for the smallpox, which destroys her beauty without killing her, causes his love to cease. And if any one loves me for my judgment or my memory, does he really love me? No; for I can lose these qualities without ceasing to be.
I've auditioned for roles that involved voice, but I don't like it. I feel like, I can't do this in front of you. It seems so separate - I don't share it with a lot of people. And I'm not into public performances.
Poor fellow! I think he is in love with you.' I am not aware of it. And to me it is one of the most odious things in a girl's life, that there must always be some supposition of falling in love coming between her and any man who is kind to her... I have no ground for the nonsensical vanity of fancying everybody who comes near me is in love with me.
People connect me with intense roles and performances; a thinking actress who only does serious work.
I like that the two roles are similar yet so different at the same time. Geu Rin comes from a broken family and has to pick up the broken pieces in order to move forward. There's some kind of sadness in her. Deok Sun, on the other hand, is just very cheerful. The word I would use to describe her is naive. She is young and free.
Hillary Clinton has gotten rich, and she's made a lot of speeches, and she's get great book deals and so forth. But they don't love her like they loved Bill [Clinton], and they don't love her like they loved Barack [Obama], and they don't love her like they love Michelle [Obama]. The love they have for her is related to the fact that right next to her name is a big capital D on the ballot.
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