A Quote by Hazrat Inayat Khan

Life is a symphony, and the action of every person in this life is the playing of his particular part in the music. — © Hazrat Inayat Khan
Life is a symphony, and the action of every person in this life is the playing of his particular part in the music.
The doctor used to tell me that every person about to die becomes a music box playing the melody that best describes his life, his character, and his hopes. For some, it's a popular waltz; for others, a march.
If a professional musician in a symphony orchestra is playing Beethoven. But this particular orchestra have played this particular chestnut so many times, they can play it in their sleep. Does the genius remain present in the music or not?
Uday Chopra is a person who will be a part of my life for the rest of my life. He is the most amazing human being who I have ever met in my entire life - not just in India, but around the world. If anyone is his friend, that person is lucky to have him in his life.
In every life there is one particular event that is decisive for the entire person-for his fate, his convictions, his passions.
I've been playing music all my life, from being a choir soloist at Symphony Hall as a youngster to playing in bands through high school and college at Kent State. Went in the service at 17, out before I was 21.
No one imagines that a symphony is supposed to improve as it goes along, or that the whole object of playing is to reach the finale. The point of music is discovered in every moment of playing and listening to it. It is the same, I feel, with the greater part of our lives, and if we are unduly absorbed in improving them we may forget altogether to live them.
Any life is lived in a particular time and place. Every life is impacted by the family's socio-economic circumstances, and, in later life, by the person's.
At every moment, each instrument knew what to play. Its little bit. But none could see the whole thing like this, all at once, only its own part. Just like life. Each person was like a line of music, but nobody knew what the symphony sounded like. Only the conductor had the whole score.
A buddha laughs too, but his laughter has the quality of a smile. His laughter has the feminine quality of grace. When an ignorant person laughs, his laughter is very aggressive, egoistic. The ignorant person always laughs at others. The contented person, the person who knows life a little, laughs at himself - at the whole play of life itself. It is not addressed to anybody in particular. He just laughs at the absurdity of it all... the impossibility of it all.
What a wee little part of a person's life are his acts and his words! His real life is led in his head, and is known to none but himself.
As a young composer I had a particular fondness for Liszt's Beethoven Symphony arrangements for the piano, and to this day I enjoy playing non-piano music at the piano.
If we turn to the divine Conductor and follow the wise and loving baton that is His will, His Word, then the music of our life will be a symphony.
Getting to play the part of Selena was life-changing for me, i got to immerse myself in her life, got to know her family, her home, her culture ... every part of her story. It was a special time in my life both professionally and personally. Playing her not only opened doors for me in the film world, but it inspired me to start my own music career. In a lot of ways, I wouldn't be where I am today if I hadn't had that experience.
Part of an actor's job is to find correlations between your own life and the life of the person you are playing.
When you're playing a real person, there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
When you're playing a real person there's a balance between playing the person in the script and playing the person as he was in life. You have to be respectful and true to who that person was, but at the same time tell the story in the film.
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