A Quote by Heather Graham Pozzessere
With historicals, the research is half the fun. Contemporaries are especially easy. People are right out there in front of you; you meet them every day. You can concentrate wholly on the story and characters.
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Animation story boarding works differently than live action story boarding. The story crew along with a writer really does shape and create the film - the world and it's characters. We meet almost every day and brainstorm the plot of the film. It's a highly collaborative process - and we continue to improve the story until we literally run out of time.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
It is very easy when you are in the hothouse of the newsroom to believe that everybody wants to know about this Important Story Of The Day, when actually, once you walk out the front door, it is people getting on with their lives.
It's fun to be in a small club and to be able to look somebody right in the eye and watch them just freak. Then it's fun to be in front of thousands of people and watch a couple of hundred freaking out of their minds.
What I've found is if you get the right characters in the right story and put them in the right setting - and let them go - they tend to do all the exploring of the issues for you. Because people are interesting and political and funny and sad.
Every day is magic. It really is. It's exciting and not every day is easy 'cause you have to figure out where are the fun things. But I'm never bored, not for a minute, and I get to continue being a curious soul.
Some people tell me they would be afraid of my characters, but I tell those people [that] they meet these characters all the time. They just don't care about them when they meet them, at the gas station, the car wash, the post office even.
One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day, though they are not down in the list of subjects from which the conventional novelist works.
It's quite fun to fight them, you know. It's a hell of a hoot. It's fun to shoot some people. I'll be right up front with you, I like brawling.
I'm an actor, and I want to play flawed characters, and I'm a writer that wants to write flawed characters, trying to let something out and hoping people relate through that or have fun experiencing the story.
'The Five People You Meet in Heaven' by Mitch Albom - I read it in eight hours and blubbed my eyes out when it finished. I've thought about the story every day since.
I remember when my daughter was twelve, suddenly a boy started hanging out in front of our house after school. It was this kid, Justin. My office at the time was right in the front, so I just looked out the window. I couldn't write. I couldn't concentrate. I was like, "What are you doing? What do you expect to achieve by standing in front of my house with my daughter inside?" I hated that kid so much.
Human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them.
With thrillers, I tend to concentrate on the research and pace more than the characters.
When I go across the country, I am awed, humbled and inspired every day by the tremendous research done every day by women. I hear from them; it still remains difficult. They ask: "Should I have a family or should I have a research career?" No one should have to make that decision.
Something about telling that story made my gut grow back together." What?" Oh, nothing. Just thinking out loud." That's who you really like. The people you can think out loud in front of." The people who've been in your secret hiding places." The people you bite your thumb in front of." Hi." Hi." ..." ..." Wow. My first Lindsey." My second Colin." That was fun. Let's try it again." Sold." ..." ..." ...".
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